Composition
The book of Jeremiah was edited and influenced by the Deuteronomists, or the writers of the book of Deuteronomy, who advanced religious reform. This can be clearly viewed in the parallel use of language found in both Deuteronomy and Jeremiah. For example in comparing Jer 11.4 and Deut 4.20, both use the metaphor of an iron furnace. Also, the impetus for religious reform appears to be aligned between Jeremiah and the Deuteronomists in ending of infant child sacrifices (see Jer 7.31, 19.5, 32.35; Lev 18.21). However, considerable debate exists as to whether Jeremiah was actually a member of the Deuteronomistc school since he does not explicitly mention Deuteronomy or Josiah's religious reform. In fact, due to the repetitious nature of some of phrases or intertextuality with Jeremiah, an argument has been put forth that the “historical Jeremiah” is hard to validate and should be abandoned. By contrast, evidence based on the textual differences between the Septuagint and the Masoretic Text has been used to argue that the context of the MT truly does depict a historical Jeremiah.
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“It is my PRIDE, my damnd, native, unconquerable Pride, that plunges me into Distraction. You must know that 19-20th of my Composition is Pride. I must either live a Slave, a Servant; to have no Will of my own, no Sentiments of my own which I may freely declare as such;Mor DIEperplexing alternative!”
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