Body art is art made on, with, or consisting of, the human body. The most common forms of body art are tattoos and body piercings, but other types include scarification, branding, subdermal implants, scalpelling, shaping (for example tight-lacing of corsets), full body tattoo and body painting.
More extreme body art can involve mutilation or pushing the body to its physical limits. For example, one of Marina Abramović's works involved dancing until she collapsed from exhaustion, while one of Dennis Oppenheim's better-known works saw him lying in the sunlight with a book on his chest, until his skin, excluding that covered by the book, was badly sunburned. It can even consist of the arrangement and dissection of preserved bodies in an artistic fashion, as in the case of the plastinated bodies used in the travelling Body Worlds exhibition.
Body art is also a sub-category of performance art, in which artists use or abuse their own body to make their particular statements.
In more recent times, the body has become a subject of much broader discussion and treatment than can be reduced to body art in its common understanding. Important strategies that question the human body are: implants, body in symbiosis with the new technologies, virtual bodies, etc. Scientific research in this area, for example that by Kevin Warwick, can be considered in this artistic vein. A special case of the body art strategies is the absence of body. Some artists who performed the "absence" of body through their artworks were: Keith Arnatt, Davor Džalto, Anthony Gormley, and Andy Warhol.
Read more about Body Art: Examples of Body Art, Gallery
Famous quotes containing the words body and/or art:
“The body was still resting on its legs, leaning against the end of the side of the bed, while one of the arms was close clasped round the bed-post. The mouth was rigidly closed, but the eyes were open as though staring at him.”
—Anthony Trollope (18151882)
“The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.”
—Walter Benjamin (18921940)