History
Schulder–Boden, London 1853| a | b | c | d | e | f | g | h | ||
| 8 | 8 | ||||||||
| 7 | 7 | ||||||||
| 6 | 6 | ||||||||
| 5 | 5 | ||||||||
| 4 | 4 | ||||||||
| 3 | 3 | ||||||||
| 2 | 2 | ||||||||
| 1 | 1 | ||||||||
| a | b | c | d | e | f | g | h |
| a | b | c | d | e | f | g | h | ||
| 8 | 8 | ||||||||
| 7 | 7 | ||||||||
| 6 | 6 | ||||||||
| 5 | 5 | ||||||||
| 4 | 4 | ||||||||
| 3 | 3 | ||||||||
| 2 | 2 | ||||||||
| 1 | 1 | ||||||||
| a | b | c | d | e | f | g | h |
Boden's mate is characterized by a king being mated by two bishops on criss-crossing diagonals, with possible flight squares blocked by friendly pieces. Samuel Boden, for whom the mate is named, administered an early example of it in the friendly game Schulder–Boden, London 1853. That game went 1.e4 e5 2.Nf3 d6 3.c3 f5 4.Bc4 Nf6 5.d4 fxe4 6.dxe5 exf3 7.exf6 Qxf6 8.gxf3 Nc6 9.f4 Bd7 10.Be3 O-O-O 11.Nd2 Re8 12.Qf3 Bf5 13.O-O-O? (13.Bd5 is better) 13...d5! 14.Bxd5? (allowing a forced mate; better is 14.Rde1, losing a piece) 14...Qxc3+ 15.bxc3 Ba3#, giving the final checkmate position shown in the diagram.
However, the mate had been known before that from the game Horwitz–Popert, Hamburg 1844 (see diagram). There, Black set a trap with 1...Bb8, which White fell into with 2.Rxd5?. Instead of playing the winning 2...Qxh2+ 3.Qxh2 Rxh2+ 4.Kxh2 c6+ (5.Re5 Nxe5 6.dxe5?? Rxd1) Black blundered with 2...c6??. After that White could not save his rook because of the threatened mate in two. Instead, he surprised Black with 3.Rh5! Qxh5 4.Qxc6+! bxc6 5.Bxa6#.
Read more about this topic: Boden's Mate
Famous quotes containing the word history:
“Tell me of the height of the mountains of the moon, or of the diameter of space, and I may believe you, but of the secret history of the Almighty, and I shall pronounce thee mad.”
—Henry David Thoreau (1817–1862)
“It’s a very delicate surgical operation—to cut out the heart without killing the patient. The history of our country, however, is a very tough old patient, and we’ll do the best we can.”
—Dudley Nichols, U.S. screenwriter. Jean Renoir. Sorel (Philip Merivale)
“Throughout the history of commercial life nobody has ever quite liked the commission man. His function is too vague, his presence always seems one too many, his profit looks too easy, and even when you admit that he has a necessary function, you feel that this function is, as it were, a personification of something that in an ethical society would not need to exist. If people could deal with one another honestly, they would not need agents.”
—Raymond Chandler (1888–1959)