Further Reading
- Collier, Caroline (ed.) (2005). Starting at Zero: Black Mountain College, 1933-1957. Arnolfini Gallery and Cambridge University. ISBN ].
- Harris, Mary Emma (2002). The Arts at Black Mountain College. The MIT Press. ISBN 978-0-262-58212-4.
- Katz, Vincent (ed.) (2003). Black Mountain College: Experiment in Art. The MIT Press. ISBN 978-0-262-60071-2.
- Lane, Marvin (ed.) (c1990). Black Mountain College: Sprouted Seeds: an Anthology of Personal Accounts. University of Tennessee Press. ISBN 978-0-87049-663-9.
- Duberman, Martin (c1972/1993). Black Mountain An Exploration in Community. W.W. Norton. ISBN 0-393-30953-3.
- Rumaker, Michael (c2003). Black Mountain Days. Black Mountain Press. ISBN 0-9649020-8-7.
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“When committees gather, each member is necessarily an actor, uncontrollably acting out the part of himself, reading the lines that identify him, asserting his identity.... We are designed, coded, it seems, to place the highest priority on being individuals, and we must do this first, at whatever cost, even if it means disability for the group.”
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