Influence Upon Other Works
- Beautiful Joe was a best-selling 1893 novel about a dog that was directly influenced by Black Beauty and followed a similar path to fame through awareness of cruelty to animals.
- The Strike at Shane's: A Prize Story of Indiana is an anonymous American novel that won a monetary award and national publication in 1893 in a contest sponsored by the American Humane Society, and was reprinted several times commercially thereafter. Described in the introduction as a "Sequel to "Black Beauty," it tells the story of good and bad treatment of farm animals and local wildlife, especially songbirds, in the America Midwest. The novel is generally attributed as the first published work of the novelist Gene Stratton Porter, and bears a remarkable textual similarity to her other books.
- One of the most popular of the interwar pony stories for children, Moorland Mousie (1929), by 'Golden Gorse' (Muriel Wace), is heavily influenced by Black Beauty.
- Phyllis Briggs wrote a sequel called Son of Black Beauty, published in 1950.
- The Pullein-Thompson sisters wrote several stories concerning relatives of Black Beauty. They are Black Ebony (1975; by Josephine), Black Velvet (1975; by Christine), Black Princess (1975; by Diana), Black Nightshade (1978; by Josephine), Black Romany (1978; by Diana), Blossom (1978; by Christine), Black Piper (1982; by Diana), Black Raven (1982; by Josephine) and Black Pioneer (1982; by Christine). The book Black Swift (1991) by Josephine is not about a Black Beauty relative. These were published in several compilations as well as some of them being available separately. Each compilation was subsequently republished, sometimes with a change of name.
- Spike Milligan wrote a parody of the novel called Black Beauty According to Spike Milligan (1996).
Read more about this topic: Black Beauty
Famous quotes containing the words influence and/or works:
“We should be blessed if we lived in the present always, and took advantage of every accident that befell us, like the grass which confesses the influence of the slightest dew that falls on it; and did not spend our time in atoning for the neglect of past opportunities, which we call doing our duty.”
—Henry David Thoreau (18171862)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 18931993)