Character
The character was a parody of the boorish Australian overseas, particularly those in the United Kingdom – unsophisticated, loud, crude, drunk and aggressive – although McKenzie also proved popular with Australians because he embodied some of their positive characteristics: he was genuine, forthright, straightforward, candid to his English hosts, who themselves were often portrayed as stereotypes of pompous, arrogant colonial deviousness.
McKenzie frequently employs euphemisms for bodily functions or sexual allusions, one of the most well-known being "technicolour yawn" (vomiting). The film popularised several Australian euphemisms and slang terms which are still used today in the Australian vernacular (such as "point Percy at the porcelain", "sink the sausage", "flash the nasty"). Some of the slang was invented by Humphries, with other terms borrowed from existing Australian slang such as "chunder", and "up shit creek" (adopted by the Australian poetry magazine Shit Creek Review).
Men at Work lead singer Colin Hay said that the lyrics for "Down Under" were inspired by the Barry McKenzie character.
Read more about this topic: Barry McKenzie
Famous quotes containing the word character:
“A man’s character is his fate.”
—Heraclitus (c. 535–c. 475 BC)
“In my experience, persons, when they are made the subject of conversation, though with a Friend, are commonly the most prosaic and trivial of facts. The universe seems bankrupt as soon as we begin to discuss the character of individuals. Our discourse all runs to slander, and our limits grow narrower as we advance. How is it that we are impelled to treat our old Friends so ill when we obtain new ones?”
—Henry David Thoreau (1817–1862)
“An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.”
—Eleanor Robson Belmont (1878–1979)