Works
Yoshimoto began her writing career while working as a waitress at a golf-club restaurant in 1987. She named American author Stephen King as one of her first major influences, and drew inspiration from his non-horror stories. As her writing progressed, she was further influenced by Truman Capote and Isaac Bashevis Singer.
Her debut novel, Kitchen, was an instant success, with over sixty printings in Japan alone. There have been two films made of the story, a Japanese TV movie and a more widely released version produced in Hong Kong by Yim Ho in 1997. She won the 6th Kaien Newcomer Writers Prize in November 1987, the Umitsubame First Novel Prize, and then the 16th Izumi Kyoka Literary Prize in January 1988 for Kitchen.
Another one of her novels, Goodbye Tsugumi, was also made into a movie in 1990, directed by Jun Ichikawa. The novel received mixed reviews.
Her works include 12 novels and seven collections of essays (including Pineapple Pudding and Song From Banana) which have together sold over six million copies worldwide. Her themes include love and friendship, the power of home and family, and the effect of loss on the human spirit.
In 1998, she wrote the foreword to the Italian edition of the book Ryuichi Sakamoto. Conversazioni by musicologist Massimo Milano.
Read more about this topic: Banana Yoshimoto
Famous quotes containing the word works:
“I believe it has been said that one copy of The Times contains more useful information than the whole of the historical works of Thucydides.”
—Richard Cobden (1804–1865)
“Words are always getting conventionalized to some secondary meaning. It is one of the works of poetry to take the truants in custody and bring them back to their right senses.”
—William Butler Yeats (1865–1939)
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)