Babes On Broadway - Musical Numbers

Musical Numbers

  • "Babes on Broadway" (Main Title) (MGM Studio Chorus)
  • "Anything Can Happen in New York" (Mickey Rooney, Ray McDonald, and Richard Quine)
  • "How About You?" (Judy Garland and Mickey Rooney)
  • "Hoe Down" (Judy Garland, Mickey Rooney, Six Hits and a Miss, The Five Musical Maids, and MGM Studio Chorus)
  • "Chin Up! Cheerio! Carry On!" (Judy Garland, St. Luke's Episcopal Church Choristers, and MGM Studio Chorus)
  • Ghost Theater Sequence:
    • "Cyrano de Bergerac" (Mickey Rooney as Richard Mansfield)
    • "Mary's a Grand Old Name" (Judy Garland as Fay Templeton)
    • "She's Ma Daisy" (Mickey Rooney as Harry Lauder)
    • "I've Got Rings On My Fingers" (Judy Garland as Blanche Ring)
    • "La Marseillaise" (Judy Garland as Sarah Bernhardt)
    • "The Yankee Doodle Boy" (Mickey Rooney and Judy Garland)
  • "Bombshell from Brazil" (Judy Garland, Mickey Rooney, Richard Quine, Ray McDonald, Virginia Weidler, Anne Rooney, Robert Bradford, and MGM Studio Chorus)
  • "Mama Yo Quiero" (Mickey Rooney)
  • Minstrel Show Sequence:
    • "Blackout Over Broadway" (Judy Garland, Mickey Rooney, Ray McDonald, Virginia Weidler, Richard Quine, Anne Rooney and MGM Studio Chorus)
    • "By the Light of the Silvery Moon" (Ray McDonald)
    • "Franklin D. Roosevelt Jones" (Judy Garland and MGM Studio Chorus)
    • "Old Folks at Home" (Eddie Peabody on banjo, dubbing for Mickey Rooney)
    • "Alabamy Bound" (Eddie Peabody on banjo, dubbing for Mickey Rooney)
    • "Waiting for the Robert E. Lee" (Judy Garland, Mickey Rooney, Virginia Weidler, Anne Rooney, Richard Quine, and MGM Studio Chorus)
  • "Babes on Broadway" (Finale) (Judy Garland, Mickey Rooney, Virginia Weidler, Ray McDonald, Richard Quine, and MGM Studio Chorus)

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Famous quotes containing the words musical and/or numbers:

    “Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, “You who are so fond of hawthorns, look at this pink thorn, isn’t it lovely?””
    —Marcel Proust (1871–1922)

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    —Robert Herrick (1591–1674)