Babes On Broadway - Musical Numbers

Musical Numbers

  • "Babes on Broadway" (Main Title) (MGM Studio Chorus)
  • "Anything Can Happen in New York" (Mickey Rooney, Ray McDonald, and Richard Quine)
  • "How About You?" (Judy Garland and Mickey Rooney)
  • "Hoe Down" (Judy Garland, Mickey Rooney, Six Hits and a Miss, The Five Musical Maids, and MGM Studio Chorus)
  • "Chin Up! Cheerio! Carry On!" (Judy Garland, St. Luke's Episcopal Church Choristers, and MGM Studio Chorus)
  • Ghost Theater Sequence:
    • "Cyrano de Bergerac" (Mickey Rooney as Richard Mansfield)
    • "Mary's a Grand Old Name" (Judy Garland as Fay Templeton)
    • "She's Ma Daisy" (Mickey Rooney as Harry Lauder)
    • "I've Got Rings On My Fingers" (Judy Garland as Blanche Ring)
    • "La Marseillaise" (Judy Garland as Sarah Bernhardt)
    • "The Yankee Doodle Boy" (Mickey Rooney and Judy Garland)
  • "Bombshell from Brazil" (Judy Garland, Mickey Rooney, Richard Quine, Ray McDonald, Virginia Weidler, Anne Rooney, Robert Bradford, and MGM Studio Chorus)
  • "Mama Yo Quiero" (Mickey Rooney)
  • Minstrel Show Sequence:
    • "Blackout Over Broadway" (Judy Garland, Mickey Rooney, Ray McDonald, Virginia Weidler, Richard Quine, Anne Rooney and MGM Studio Chorus)
    • "By the Light of the Silvery Moon" (Ray McDonald)
    • "Franklin D. Roosevelt Jones" (Judy Garland and MGM Studio Chorus)
    • "Old Folks at Home" (Eddie Peabody on banjo, dubbing for Mickey Rooney)
    • "Alabamy Bound" (Eddie Peabody on banjo, dubbing for Mickey Rooney)
    • "Waiting for the Robert E. Lee" (Judy Garland, Mickey Rooney, Virginia Weidler, Anne Rooney, Richard Quine, and MGM Studio Chorus)
  • "Babes on Broadway" (Finale) (Judy Garland, Mickey Rooney, Virginia Weidler, Ray McDonald, Richard Quine, and MGM Studio Chorus)

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Famous quotes containing the words musical and/or numbers:

    “A pregnant woman and her spouse dream of three babies—the perfect four-month-old who rewards them with smiles and musical cooing, the impaired baby, who changes each day, and the mysterious real baby whose presence is beginning to be evident in the motions of the fetus.”
    —T. Berry Brazelton (20th century)

    “I had a feeling that out there, there were very poor people who didn’t have enough to eat. But they wore wonderfully colored rags and did musical numbers up and down the streets together.”
    —Jill Robinson (b. 1936)