Best Juvenile or Young Adult Crime Book
- 1994 - John Dowd, Abalone Summer
- 1995 - James Heneghan, Torn Away
- 1996 - Norah McClintock, Mistaken Identity
- 1997 - Linda Bailey, How Can a Frozen Detective Stay Hot on the Trail?
- 1998 - Norah McClintock, The Body in the Basement
- 1999 - Norah McClintock, Sins of the Father
- 2000 - Linda Bailey, How Can a Brilliant Detective Shine in the Dark?
- 2001 - Tim Wynne-Jones, The Boy in the Burning House
- 2002 - Norah McClintock, Scared to Death
- 2003 - Norah McClintock, Break and Enter
- 2004 - Graham McNamee, Acceleration
- 2005 - Carrie Mac, The Beckoners
- 2006 - Vicki Grant, Quid Pro Quo
- 2007 - Sean Cullen, Hamish X and the Cheese Pirates
- 2008 - Shane Peacock, Eye of the Crow
- 2009 - Sharon E. McKay, War Brothers
- 2010 - Barbara Haworth-Attard, Haunted
- 2011 - Alice Kuipers, The Worst Thing She Ever Did
- 2012 - Tim Wynne-Jones, Blink & Caution
Read more about this topic: Arthur Ellis Awards
Famous quotes containing the words juvenile, young, adult, crime and/or book:
“I never found even in my juvenile hours that it was necessary to go a thousand miles in search of themes for moralizing.”
—Horace Walpole (1717–1797)
“People fall out of windows, trees tumble down,
Summer is changed to winter, the young grow old
The air is full of children, statues, roofs
And snow. The theatre is spinning round,
Colliding with deaf-mute churches and optical trains.
The most massive sopranos are singing songs of scales.”
—Wallace Stevens (1879–1955)
“Every genuine boy is a rebel and an anarch. If he were allowed to develop according to his own instincts, his own inclinations, society would undergo such a radical transformation as to make the adult revolutionary cower and cringe.”
—Henry Miller (1891–1980)
“Has anyone ever told you that you overplay your various roles rather severely, Mr. Kaplan? First you’re the outraged Madison Avenue man who claims he’s been mistaken for someone else. Then you play the fugitive from justice, supposedly trying to clear his name of a crime he knows he didn’t commit. And now you play the peevish lover stung by jealously and betrayal. It seems to me you fellows could stand a little less training from the FBI and a little more from the Actors Studio.”
—Ernest Lehman (b.1920)
“If English is spoken in heaven ... God undoubtedly employs Cranmer as his speechwriter. The angels of the lesser ministries probably use the language of the New English Bible and the Alternative Service Book for internal memos.”
—Charles, Prince Of Wales (b. 1948)