Writing
Though in no way espousing his beliefs, Bahá'ís know Gobineau as the person who obtained the only complete manuscript of the early history of the Bábí religious movement of Persia, written by Hajji Mirzâ Jân of Kashan, who was put to death by the Persian authorities in c.1852. The manuscript now is in the Bibliothèque Nationale at Paris. He is also known to students of Babism for having written the first and most influential account of the movement, displaying a fairly accurate knowledge of its history in Religions et philosophies dans l'Asie centrale. An addendum to that work is a bad translation of the Bab's Bayan al-'Arabi, the first Babi text to be translated into a European language.
Gobineau wrote novels in addition to his works on race, notably Les Pléiades (1874). His study La Renaissance (1877) also was admired in his day. Both of these works strongly expressed his reactionary aristocratic politics, and his hatred of democratic mass culture.
Read more about this topic: Arthur De Gobineau
Famous quotes containing the word writing:
“I am writing to resist the view that Europe and civilization are going to Hell. If I am being “crucified for an idea”Mthat is, the coherent idea around which my muddles accumulated—it is probably the idea that European culture ought to survive, that the best qualities of it ought to survive along with whatever cultures, in whatever universality. Against the propaganda of terror and the propaganda of luxury, have you a nice simple answer?”
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“One can write out of love or hate. Hate tells one a great deal about a person. Love makes one become the person. Love, contrary to legend, is not half as blind, at least for writing purposes, as hate. Love can see the evil and not cease to be love. Hate cannot see the good and remain hate. The writer, writing out of hatred, will, thus, paint a far more partial picture than if he had written out of love.”
—Jessamyn West (1902–1984)
“There is a difference between dramatizing your sensibility and your personality. The literary works which we think of as classics did the former. Much modern writing does the latter, and so has an affinity with, say, night-club acts in all their shoddy immediacy.”
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