Arthur Bowen Davies - Works

Works

  • 1889 - untitled (seated woman), watercolor and gouache on paper, The Phillips Collection, Washington, D.C.
  • 1890 - Along the Erie Canal, oil on canvas, The Phillips Collection, Washington, D.C.
  • 1896 - Visions of Glory, oil on canvas, The Phillips Collection, Washington, D.C.
  • 1895 - Viola Obligato, oil on wood panel, The Phillips Collection, Washington, D.C.
  • 1903 - The Flood, c. 1903, oil on canvas, The Phillips Collection, Washington, D.C.
  • 1905 - Children, Dogs and Pony, oil on canvas, The Phillips Collection, Washington, D.C.
  • 1905 - Many Waters, c. 1905, oil on paper adhered to canvas, The Phillips Collection, Washington, D.C.
  • 1906 - Springtime of Delight, oil on canvas, The Phillips Collection, Washington, D.C.
  • 1927 - Stars and Dews and Dreams of Night, oil on canvas, Corcoran Gallery of Art, Washington, D.C.
  • City Girls and Country Boy, oil on canvas, The Phillips Collection, Washington, D.C.
  • Clothed in Dominion, view
  • Dew Drops, oil on canvas, The Phillips Collection, Washington, D.C.
  • Elysian Fields, oil on canvas, The Phillips Collection, Washington, D.C.
  • Girl at the Fountain, view
  • Gondolas, watercolor & gouache on paper, The Phillips Collection, Washington, D.C.
  • Horses of Attica, after 1910, oil on canvas, The Phillips Collection, Washington, D.C.
  • Olive Trees, watercolor and gouache on paper, The Phillips Collection, Washington, D.C.
  • Romance, watercolor & gouache on paper, The Phillips Collection, Washington, D.C.
  • The Birth of the Green, oil on canvas, The Phillips Collection, Washington, D.C.
  • The Dancers, oil on canvas, The Phillips Collection, Washington, D.C.
  • The Hesitation of Orestes, oil on canvas, The Phillips Collection, Washington, D.C.
  • The Violin Girl, view
  • The Voyage, oil on canvas, The Phillips Collection, Washington, D.C.
  • Tissue Parnassian, by 1923, The Phillips Collection, Washington, D.C.
  • Woman with Orange Background, pastel and chalk on paper, The Phillips Collection, Washington, D.C.
  • untitled black & white chalk landscape, pastel and chalk on paper,The Phillips Collection, Washington, D.C.
  • untitled landscape, pastel and chalk on paper, The Phillips Collection, Washington, D.C.
  • intitled landscape with purple mountains, pastel and chalk on paper, The Phillips Collection, Washington, D.C.
  • untitled landscape with three single trees, pastel and chalk on paper, The Phillips Collection, Washington, D.C.
  • untitled landscape with trees, pastel and chalk on paper, The Phillips Collection, Washington, D.C.
  • untitled pastel, pastel and chalk on paper The Phillips Collection, Washington, D.C.

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    Henry David Thoreau (1817–1862)

    All his works might well enough be embraced under the title of one of them, a good specimen brick, “On Heroes, Hero-Worship, and the Heroic in History.” Of this department he is the Chief Professor in the World’s University, and even leaves Plutarch behind.
    Henry David Thoreau (1817–1862)

    On pragmatistic principles, if the hypothesis of God works satisfactorily in the widest sense of the word, it is true.
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