Relationship With Popular Music
In general, art music is separate from popular music, although there are examples of certain styles or works that cross that boundary and are included within both categories. For purposes of illustration, one example of this would be Rhapsody in Blue by George Gershwin. This piece is written in formal notation and performed as written, as with classical music, and is generally considered to be within the realm of contemporary classical music. However, its sound includes elements of jazz and blues, becoming known in the mass market as a work of popular music while clearly it remains within the purview of art music as well. Other boundary crossing examples are the symphonies of post-minimalist composers Rhys Chatham and Glenn Branca, which are written pieces as well as examples of experimental rock. With this music Chatham and Branca blend the musical aesthetics of classical music with the aesthetics of punk rock.
Read more about this topic: Art Music
Famous quotes containing the words relationship with, relationship, popular and/or music:
“Guilty, guilty, guilty is the chant divorced parents repeat in their heads. This constant reminder remains just below our consciousness. Nevertheless, its presence clouds our judgment, inhibits our actions, and interferes in our relationship with our children. Guilt is a major roadblock to building a new life for yourself and to being an effective parent.”
—Stephanie Marston (20th century)
“Strange and predatory and truly dangerous, car thieves and muggersthey seem to jeopardize all our cherished concepts, even our self-esteem, our property rights, our powers of love, our laws and pleasures. The only relationship we seem to have with them is scorn or bewilderment, but they belong somewhere on the dark prairies of a country that is in the throes of self-discovery.”
—John Cheever (19121982)
“Just try to prove youre not a camel!”
—Russian saying popular in the Soviet period, trans. by Vladimir Ivanovich Shlyakov (1993)
“See where my Love sits in the beds of spices,
Beset all round with camphor, myrrh, and roses,
And interlaced with curious devices
Which her apart from all the world incloses!
There doth she tune her lute for her delight,
And with sweet music makes the ground to move,
Whilst I, poor I, do sit in heavy plight,
Wailing alone my unrespected love;”
—Bartholomew Griffin (d. 1602)