Art Music - Relationship With Popular Music

Relationship With Popular Music

In general, art music is separate from popular music, although there are examples of certain styles or works that cross that boundary and are included within both categories. For purposes of illustration, one example of this would be Rhapsody in Blue by George Gershwin. This piece is written in formal notation and performed as written, as with classical music, and is generally considered to be within the realm of contemporary classical music. However, its sound includes elements of jazz and blues, becoming known in the mass market as a work of popular music while clearly it remains within the purview of art music as well. Other boundary crossing examples are the symphonies of post-minimalist composers Rhys Chatham and Glenn Branca, which are written pieces as well as examples of experimental rock. With this music Chatham and Branca blend the musical aesthetics of classical music with the aesthetics of punk rock.

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Famous quotes containing the words popular music, relationship with, relationship, popular and/or music:

    The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.
    George Steiner (b. 1929)

    We think of religion as the symbolic expression of our highest moral ideals; we think of magic as a crude aggregate of superstitions. Religious belief seems to become mere superstitious credulity if we admit any relationship with magic. On the other hand our anthropological and ethnographical material makes it extremely difficult to separate the two fields.
    Ernst Cassirer (1874–1945)

    If one could be friendly with women, what a pleasure—the relationship so secret and private compared with relations with men. Why not write about it truthfully?
    Virginia Woolf (1882–1941)

    The popular colleges of the United States are turning out more educated people with less originality and fewer geniuses than any other country.
    Caroline Nichols Churchill (1833–?)

    Slow, slow, fresh fount, keep time with my salt tears;
    Yet slower yet, oh faintly gentle springs:
    List to the heavy part the music bears,
    “Woe weeps out her division when she sings.”
    Droop herbs and flowers;
    Fall grief in showers;
    “Our beauties are not ours”:
    Oh, I could still,
    Like melting snow upon some craggy hill,
    Drop, drop, drop, drop,
    Since nature’s pride is, now, a withered daffodil.
    Ben Jonson (1572–1637)