Analysis
A major figure of world and European cinema after World War II, Wajda made his reputation as a sensitive and uncompromising chronicler of his country's political and social evolution. Once dubbed a symbol for a besieged country, Wajda is known for drawing from Poland's history to suit his tragic sensibility—crafting an oeuvre of work that devastates even as it informs.
Andrzej Wajda's films have a strong visual side, he sometimes made his own versions of Polish and European paintings and he also thinks by the images. He tries to give the right mood and atmosphere of times in which he sets the action and he refers to the paintings of that time as well. He has worked with Polish cinematographers such as Jerzy Lipman, Jerzy Wójcik, Witold Sobociński, Edward Kłosiński, Zygmunt Samosiuk, Sławomir Idziak or Paweł Edelman, he also cooperated with Igor Luther or Robby Muller.
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