Career
Gasteyer developed comedy experience with the famed Los Angeles improv – sketch comedy group The Groundlings. She played small roles on Seinfeld (as a doomed customer of The Soup Nazi), as well as on the shows Party of Five, Hope & Gloria and NYPD Blue. In 1996 Gasteyer joined the cast of Saturday Night Live. Among her most popular characters were high school music teacher Bobbie Mohan-Culp, National Public Radio Delicious Dish host Margaret Jo McCullen, Lilith Festival feminist singer Cinder Calhoun, and her impression of Martha Stewart.
After six seasons, Gasteyer left SNL in 2002. Since then, she has appeared in various television programs and films as well as in stage productions. In 2004, Gasteyer played the mother of the main character Cady Heron (Lindsay Lohan) in the feature film Mean Girls, written by SNL castmate Tina Fey. The film also featured other former SNL castmates, including Fey, Tim Meadows, and Amy Poehler. She also appeared in the 2005 Showtime movie musical Reefer Madness as Mae, the doomed girlfriend of Jack and owner of the Reefer Den.
Gasteyer starred in a revival of The Threepenny Opera on Broadway as Mrs. Peachum, along with Jim Dale, Alan Cumming, and Cyndi Lauper. The production ran from March 24 through June 25, 2006.
On June 24, 2005, Ana originated the role of Elphaba in the Chicago sit-down production of the musical Wicked. The production opened July 13, 2005. Gasteyer was nominated for a Jefferson Award for her performance. She played her final performance on January 22, 2006, replaced by her standby Kristy Cates. She later reprised the role in the Broadway production from October 10, 2006, through January 7, 2007.
On April 12, 2007, it was announced that Gasteyer has joined the cast of the new musical, Writing Arthur, for the 2007 New Works Festival for TheatreWorks in California which ran from April 14–22. Gasteyer performed in Chicago in the Stephen Sondheim musical Passion at Chicago Shakespeare Theater from October 2, 2007 to November 11, 2007.
She was originally cast as Gloria in the Encores! Summer Series production of Damn Yankees, but due to injury during rehearsals, she was replaced by Megan Lawrence. Gasteyer took part in the reading of the Broadway musical version of "The First Wives Club."
She starred as Kitty Dean in the Broadway play, The Royal Family which began performances at the Samuel J. Friedman Theatre on September 15, 2009 and officially opened on October 8, 2009. The show concluded its run on December 13, 2009. Gasteyer also starred as Frisco Kate Fothergill in the City Centers Encores! production of Girl Crazy, running from November 19–22, 2009.
She returned to Saturday Night Live for a special Mother's Day episode on May 8, 2010, and for another Mother's Day episode on May 11, 2012
Gasteyer appeared in season eight of Curb Your Enthusiasm as Larry David's girlfriend.
She currently stars as Sheila Shay on the ABC comedy, Suburgatory. In November 2011, she became a series regular on the show.
Read more about this topic: Ana Gasteyer
Famous quotes containing the word career:
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
—William Cobbett (1762–1835)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)