Content
The poster reads:
Des libérateurs? La libération par l'armée du crime!
"Liberators? Liberation by the army of crime!"
From left to right, and top to bottom, individual portraits are labeled:
- GRZYWACZ: Juif polonais, 2 attentats (Polish Jew, 2 terrorist attacks)
- ELEK: Juif hongrois, 5 déraillements (Hungarian Jew, 5 derailments)
- WASJBROT: Juif polonais, 1 attentat, 1 déraillement (Polish Jew, 1 terrorist attack, 1 derailment)
- WITCHITZ: Juif polonais, 15 attentats (Polish Jew, 15 terrorist attacks - although it is unclear if Witchitz was in fact Jewish or Polish)
- FINGERCWAJG: Juif polonais, 3 attentats, 5 déraillements (Polish Jew, 3 terrorist attacks, 5 derailments)
- BOCZOV: Juif hongrois, chef dérailleur, 20 attentats (Hungarian Jew, chief of derailment operations, 20 terrorist attacks)
- FONTANOT: Communiste italien, 12 attentats (Italian Communist, 12 terrorist attacks. His correct name was Fontano)
- ALFONSO: Espagnol rouge, 2 attentats (Red Spaniard, 2 terrorist attacks)
- RAYMAN: Juif polonais, 13 attentats (Polish Jew, 13 terrorist attacks)
- MANOUCHIAN: Arménien, chef de bande, 56 attentats, 150 morts, 600 blessés (Armenian, boss of the gang, 56 terrorist attacks, 150 dead, 600 wounded)
The bottom features photographs of:
- the right shoulder and right chest of a corpse, riddled by bullet holes
- a dead body lying on the ground
- a derailed locomotive
- a derailed train
- a collection of small arms, grenades, and bomb components, displayed on a table
- another derailed train
Read more about this topic: Affiche Rouge
Famous quotes containing the word content:
“I am content to live it all again,
And yet again, if it be life to pitch
Into the frog-spawn of a blind mans ditch.”
—William Butler Yeats (18651939)
“Our frigate takes fire,
The other asks if we demand quarter?
If our colors are struck and the fighting done?
Now I laugh content for I hear the voice of my little captain,
We have not struck, he composedly cries, we have just begun our part of the fighting.”
—Walt Whitman (18191892)
“In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.”
—Susan Sontag (b. 1933)