Background
Tomine began publishing his work when he was still a teenager; he was mainly self-published, but was also published in mainstream publications like Pulse while still in high school. While his early work was greeted with much acclaim, he faced severe backlash around the time when he made the jump to professional publication, and the letters pages of his modern comics typically feature several highly critical letters where he is accused of creating "trendy" or "emo" characters. He is often compared to his friend Dan Clowes for his signature clean-line style; in fact, he is sometimes accused of ripping off Clowes' style. In an interview published in The Comics Journal #205, Tomine addressed many of these criticisms and discussed his influences in detail, admitting that he was strongly influenced by Clowes but perhaps even more so by Jaime Hernandez. The cover of his Journal issue featured a self-parody of sorts, featuring a sequence where a hipster girl says to the reader, "I'm so cute! I listen to indie rock! But... I'm sad. Can you relate?"
In an interview published on the Drawn and Quarterly website, Tomine discussed printing critical letters in his book: "I imagine most cartoonists receive some negative mail. I just thought it was fair (and entertaining) to allow a range of reactions to be heard. And as for my response, it really varies: some criticism I dismiss completely, and some I take to heart."
Most of Tomine's early works rarely mentioned racial issues and most of his characters appeared to be Caucasian. Tomine, who is Asian American, drew himself in many of his early strips, but did not make his ethnicity clear (he often drew his glasses as being opaque, so his eyes couldn't be seen). In later works, he has explored racial issues more directly, such as in his latest graphic novel Shortcomings.
In the '90s, Tomine made an appearance on The Jane Pratt Show, which he documented in Optic Nerve.
Read more about this topic: Adrian Tomine
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