Academy Award For Best Live Action Short Film

Academy Award For Best Live Action Short Film

This name for the Academy Award for Live Action Short Film was introduced in 1974. For the three preceding years it was known as "Short Subjects, Live Action Films." The term "Short Subjects, Live Action Subjects" was used from 1957 until 1970. From 1936 until 1956 there were two separate awards, "Best Short Subject, One-reel" and "Best Short Subject, Two-reel". A third category "Best Short Subject, color" was used only for 1936 and 1937. From the initiation of short subject awards for 1932 until 1935 the terms were "Best Short Subject, comedy" and "Best Short Subject, novelty". Below is a list of Oscar short films. The winning film is listed first, with the other nominated films for that year/category below.

Read more about Academy Award For Best Live Action Short Film:  1930s, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000s, 2010s

Famous quotes containing the words academy, award, live, action, short and/or film:

    ...I have come to make distinctions between what I call the academy and literature, the moral equivalents of church and God. The academy may lie, but literature tries to tell the truth.
    Dorothy Allison (b. 1949)

    The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.
    Robert Graves (1895–1985)

    Under the one word “house” are included the schoolhouse, the almshouse, the jail, the tavern, the dwellinghouse; and the meanest shed or cave in which men live contains elements of all these. But nowhere on the earth stands the entire and perfect house.
    Henry David Thoreau (1817–1862)

    ...a fixed aim furnishes us with a fixed measure, by which we can decide whether such or such an action proposed is worth trying for or not, and as aims must vary with the individual, the decisions of any two people as to the desirableness of an action may not be the same.
    Anna C. Brackett (1836–1911)

    To finish the moment, to find the journey’s end in every step of the road, to live the greatest number of good hours, is wisdom. It is not the part of men, but of fanatics, or of mathematicians, if you will, to say, that, the shortness of life considered, it is not worth caring whether for so short a duration we were sprawling in want, or sitting high. Since our office is with moments, let us husband them.
    Ralph Waldo Emerson (1803–1882)

    [Film noir] experiences periodic rebirth and rediscovery. Whenever we have any moment of deep societal rift or disruption in America, one of the ways we can express it is through the ideas and behavior in film noir.
    John Briley (b. 1925)