History
The album was recorded in France with engineer Andrew Jackson at a time when Pink Floyd's future was uncertain. It was mixed by James Guthrie at Mayfair Studios in London.
Some of the musicians working with Gilmour were Jeff Porcaro, Pino Palladino, Deep Purple keyboardist Jon Lord, Roy Harper, Michael Kamen (who also worked on The Pros and Cons of Hitch Hiking), Sam Brown, and Steve Winwood.
Doing this album I wanted to make a really good record. I didn't want to do it very very quickly, and I wanted to get the best musicians in the world that I could get hold of to play with me, so I thought I'd just make a little list of all my favourite musicians, you know, best drummer, best bass player, best keyboard player, and I'll work through the list to see who I can get. Jeff Porcaro was top of my drummers list, Pino Palladino was top of my bass players list, and Ian Kewley, or the Rev, as he's known, he actually came and did the bulk of the hammond and piano playing, and he was terrific. Steve Winwood was top of my keyboard playing list but he couldn't do most of the album, but I got him to do a bit. He played hammond organ on "Blue Light." I had a bit more time and was feeling a bit freer about things on this album...just more "accidents" tend to occur. —David Gilmour, "I think Pete feels some restrictions on what he like to do with The Who, as I guess we all feel restrictions within everything we attempt, just because of the types of personalities and role you've created for yourself. I know he's felt uncomfortable about certain things--- things he could express in solo stuff. For me, the restriction was the scale of what Pink Floyd had become more than anything. It's nice to get out and do something on a slightly different scale; go out and do theaters, which is not really a possibility with Pink Floyd until we get a lot less popular." —David Gilmour,Allegedly, some of the songs on About Face were being composed by Gilmour when Waters began production of the Pink Floyd album, The Final Cut. Waters is said to have refused Gilmour's request for more time to complete his own (Gilmour's) material, which effectively denied Gilmour any writing credits on The Final Cut. Songs that are said to be of the pre-Final Cut period are "Murder", "Out of the Blue", "Near the End" and the musical orchestration for "Love on the Air" and "All Lovers are Deranged".
Gilmour was later interviewed by Texas-based DJ Redbeard, on the radio programme, In the Studio with Redbeard during which the focus was his 2006 solo effort On an Island. He commented on About Face saying, "Looking back on it, it has some great moments on there but the whole flavour of it is too '80s for my current tastes."
Read more about this topic: About Face (album)
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