Aaron Copland - Selected Works

Selected Works

See also: List of compositions by Aaron Copland
  • Scherzo Humoristique: The Cat and the Mouse (1920)
  • Four Motets (1921)
  • Three Moods (piano solo)(1921)
  • Passacaglia (piano solo) (1922)
  • Symphony for Organ and Orchestra (1924)
  • Music for the Theater (1925)
  • Dance Symphony (1925)
  • Concerto for Piano and Orchestra (1926)
  • Symphonic Ode (1927–1929)
  • Piano Variations (1930)
  • Grohg (1925/32) (ballet)
  • Short Symphony (Symphony No. 2) (1931–33)
  • Statements for orchestra (1932–35)
  • The Second Hurricane, play-opera for high school performance (1936)
  • El Salón México (1936)
  • Billy the Kid (1938) (ballet)
  • Quiet City (1940)
  • Our Town (1940)
  • Piano Sonata (1939–41)
  • An Outdoor Overture, written for high school orchestras (1938) and transcribed for wind band (1941)
  • Fanfare for the Common Man (1942)
  • Lincoln Portrait (1942)
  • Rodeo (1942) (ballet)
  • Danzon Cubano (1942)
  • Music for the Movies (1942)
  • Sonata for violin and piano (1943)
  • Appalachian Spring (1944) (ballet)
  • Third Symphony (1944–1946)
  • In the Beginning (1947)
  • The Red Pony (1948)
  • Clarinet Concerto (commissioned by Benny Goodman) (1947–1948)
  • Twelve Poems of Emily Dickinson (1950)
  • Piano Quartet (1950)
  • Old American Songs (1952)
  • The Tender Land (1954) (opera)
  • Canticle of Freedom (1955)
  • Orchestral Variations (orchestration of Piano Variations) (1957)
  • Piano Fantasy (1957)
  • Dance Panels (1959; revised 1962) (ballet)
  • Connotations (1962)
  • Down A Country Lane (1962)
  • Music for a Great City (1964) (based on his score of the 1961 film Something Wild)
  • Emblems, for wind band (1964)
  • Inscape (1967)
  • Duo for flute and piano (1971)
  • Three Latin American Sketches (1972)

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    That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.
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