50th Grammy Awards - Composing/Arranging Field

Composing/Arranging Field

Best Instrumental Composition
  • "Ash Wednesday"
    • Harry Connick, Jr., composer (Harry Connick, Jr.)
  • "Cerulean Skies"
    • Maria Schneider, composer (Maria Schneider Orchestra)
  • "Deep Six"
    • Mark Walker, composer (Oregon)
  • "I Knew Her"
    • Philip Glass, composer (Philip Glass)
  • "Spectacle"
    • Béla Fleck, composer (Chick Corea & Béla Fleck)
Best Instrumental Arrangement
  • "Ash Wednesday"
    • Harry Connick, Jr., arranger (Harry Connick, Jr.)
  • "Besame Mucho"
    • Steve Wiest, arranger (Maynard Ferguson)
  • "Black Is the Color of My True Love's Hair"
    • Frank Macchia, arranger (Frank Macchia & The Prague Orchestra)
  • "In a Silent Way"
    • Vince Mendoza, arranger (Joe Zawinul)
  • "Yo Tannenbaum (From Bah, Humduck! A Looney Tunes Christmas)"
    • Gordon Goodwin, arranger (Gordon Goodwin's Big Phat Band)
Best Instrumental Arrangement Accompanying Vocalist(s)
  • "Cry Me a River"
    • Jorge Calandrelli, arranger (Ella Fitzgerald & Jorge Calandrelli)
  • "I'm Gonna Live Till I Die"
    • John Clayton, arranger (Queen Latifah)
  • "In the Wee Small Hours of the Morning"
    • Jay Ashby, Darmon Meader & Kim Nazarian, arrangers (New York Voices)
  • "Overture/Gershwin Medley"
    • Michael Abene, arranger (Patti Austin)
  • "Smile"
    • Pete McGuinness, arranger (The Pete McGuinness Jazz Orchestra)

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Famous quotes containing the words composing, arranging and/or field:

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    John Stuart Mill (1806–1873)

    The real accomplishment of modern science and technology consists in taking ordinary men, informing them narrowly and deeply and then, through appropriate organization, arranging to have their knowledge combined with that of other specialized but equally ordinary men. This dispenses with the need for genius. The resulting performance, though less inspiring, is far more predictable.
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    After all the field of battle possesses many advantages over the drawing-room. There at least is no room for pretension or excessive ceremony, no shaking of hands or rubbing of noses, which make one doubt your sincerity, but hearty as well as hard hand-play. It at least exhibits one of the faces of humanity, the former only a mask.
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