The Three 2007 Canada Winter Games Pan Northern Torches
The three 2007 2007 Canada Winter Games Pan Northern Torches were commissioned by Touch the North, Inc. for donation to the 2007 Whitehorse Canada Winter Games Society. Each torch is unique, with a carved handle fashioned from caribou antler by artist Shane Wilson. Caribou antler was chosen because of its unique handle-like shaft, as well as the fact that caribou are universally present in all three of Canada's Territories. The palm and tine portion of the antlers, which normally point upward in their natural state, were reversed to point downward and host the signature carvings. Each carving contains three elements: an animal significant to the respective Territory, the Canada Games Maple Leaf logo with an addition of three veins to represent the three territories who have joined together to host the Games, and an element containing 13 parts to signify the Provinces and Territories that make up Canada. The Yukon Torch features a raven overlooking 13 mountain tops of the northern boreal forest; the Northwest Territories Torch sports a polar bear clambering onto secure footing from an ice pan breaking up into 13 pieces; the Nunavut Torch displays the narwhal with tusk passing through the Canada Games Maple Leaf logo, swimming amongst 13 ocean waves. The torch tops are fashioned from stainless steel and copper and hold a solid fuel source - a 'cupcake' of wax and woodchips that has a burn time of about 1/2 hour. Following the 2007 Canada Winter Games, the three Pan Northern Torches were presented to their respective Territories for permanent display.
Read more about this topic: 2007 Canada Games
Famous quotes containing the words canada, winter, games, pan, northern and/or torches:
“This universal exhibition in Canada of the tools and sinews of war reminded me of the keeper of a menagerie showing his animals’ claws. It was the English leopard showing his claws.”
—Henry David Thoreau (1817–1862)
“In winter we lead a more inward life. Our hearts are warm and cheery, like cottages under drifts, whose windows and doors are half concealed, but from whose chimneys the smoke cheerfully ascends.... We enjoy now, not an Oriental, but a Boreal leisure, around warm stoves and fireplaces, and watch the shadow of motes in the sunbeams.”
—Henry David Thoreau (1817–1862)
“Criticism occupies the lowest place in the literary hierarchy: as regards form, almost always; and as regards moral value, incontestably. It comes after rhyming games and acrostics, which at least require a certain inventiveness.”
—Gustave Flaubert (1821–1880)
“I can’t accept “our nervous age,” since mankind has been nervous during every age. Whoever fears nervousness should turn into a sturgeon or smelt; if a sturgeon makes a stupid mistake, it can only be one: to end up on a hook, and then in a pan in a pastry shell.”
—Anton Pavlovich Chekhov (1860–1904)
“There exists in a great part of the Northern people a gloomy diffidence in the moral character of the government. On the broaching of this question, as general expression of despondency, of disbelief that any good will accrue from a remonstrance on an act of fraud and robbery, appeared in those men to whom we naturally turn for aid and counsel. Will the American government steal? Will it lie? Will it kill?—We ask triumphantly.”
—Ralph Waldo Emerson (1803–1882)
“Persephone herself is but a voice
or a darkness invisible enfolded in the deeper dark
of the arms Plutonic, and pierced with the passion of dense gloom,
among the splendor of torches of darkness, shedding darkness on the
lost bride and her groom.”
—D.H. (David Herbert)