Nominated For The Academy Award For Best Picture
1939 was one of the years in which the Academy of Motion Picture Arts and Sciences nominated ten films for Best Picture:
- Dark Victory
- Gone With the Wind (The winner)
- Goodbye, Mr. Chips
- Love Affair
- Mr. Smith Goes to Washington
- Ninotchka
- Of Mice and Men
- Stagecoach
- The Wizard of Oz
- Wuthering Heights
These films came from a wide variety of film genres and sources for their stories and settings, including these: Historical novels (Gone with the Wind), contemporary affairs (Mr. Smith Goes to Washington and Of Mice and Men), love stories, classic novels (Wuthering Heights), a fantasy-musical (The Wizard of Oz), a tragedy (Dark Victory), a story of the Old West (Stagecoach), and a comedy (Ninotchka).
The five nominees for Best Director of 1939 all went on to become legendary film directors with multiple stellar films to their credit. In alphabetical order: Frank Capra, Victor Fleming, John Ford, Sam Wood, and William Wyler.
Read more about this topic: 1939 In Film
Famous quotes containing the words nominated, academy, award and/or picture:
“During the Suffragette revolt of 1913 I ... [urged] that what was needed was not the vote, but a constitutional amendment enacting that all representative bodies shall consist of women and men in equal numbers, whether elected or nominated or coopted or registered or picked up in the street like a coroner’s jury. In the case of elected bodies the only way of effecting this is by the Coupled Vote. The representative unit must not be a man or a woman but a man and a woman.”
—George Bernard Shaw (1856–1950)
“...I have come to make distinctions between what I call the academy and literature, the moral equivalents of church and God. The academy may lie, but literature tries to tell the truth.”
—Dorothy Allison (b. 1949)
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“Acting is the physical representation of a mental picture and the projection of an emotional concept.”
—Laurette Taylor (1887–1946)