Style of Painting
In response to the Government's initiative activity in eradicating prostitution and pornography, Zhang Haying started the Anti-Vice Campaign series through different series. In this artistic work, Zhang Haying found pictures on the Internet to repaint them in oil canvas to reveal some non-politicised means. The pictures are published illegally on the website ether for no purpose or to degrade women's societal level. There figures are either in gray or color scale. The most famous feature about these figures that they are painted in very real style, especially the women figures. Some elements in the figures such as hair, clothes and body shape are painted very carefully to show contrast in a social realist styles. Women are painted with red skirts most of the time as a stereotypical image of women who are involved in prostitution. The painter is trying to show the big contrast in these pictures. Women are being objectified. The painter is catching the audience's audience by the contrast to send uncomfortable message. There is a sense of depression and sadness underneath these pictures . The artist is using these paintings to wake up the Chinese society about what is going on and asking them to stand up to take these women out of the illness system In color scale works, Zhang Haiying painted women figures with red fabric and other pop sheen details that catch audiences' attention. Women are objectified in these paintings to reveal an invisible message about the power inequality, depression and exclusion.
Read more about this topic: Zhang Haiying
Famous quotes containing the words style and/or painting:
“To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of ones own style and creatively adjust this to ones author.”
—Paul Goodman (19111972)
“Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.”
—John Berger (b. 1926)