Oil Painting

Oil painting is the process of painting with pigments that are bound with a medium of drying oil—especially in early modern Europe, linseed oil. Often an oil, such as linseed, was boiled with a resin, such as pine resin or even frankincense; these were called 'varnishes' and were prized for their body and gloss. Other oils occasionally used include poppyseed oil, walnut oil, and safflower oil. These oils confer various properties to the oil paint, such as less yellowing or different drying times. Certain differences are also visible in the sheen of the paints depending on the oil. Painters often use different oils in the same painting depending on specific pigments and effects desired. The paints themselves also develop a particular consistency depending on the medium.

Although oil paint was first used for the Buddhist Paintings by Indian and Chinese painters in western Afghanistan sometime between the fifth and ninth centuries, it did not gain popularity until the 15th century. Its practice may have migrated westward during the Middle Ages. Oil paint eventually became the principal medium used for creating artworks as its advantages became widely known. The transition began with Early Netherlandish painting in northern Europe, and by the height of the Renaissance oil painting techniques had almost completely replaced tempera paints in the majority of Europe.

In recent years, water miscible oil paint has come to prominence, to some extent replacing the usage of traditional oils. Water soluble paints contain an emulsifier which allows them to be thinned with water (rather than with paint thinner), and allows very fast drying times (1–3 days) when compared with traditional oils (1–3 weeks).

Read more about Oil Painting:  Techniques, History, Ingredients, Supports For Oil Painting, Process, Examples of Famous Works

Famous quotes containing the words oil and/or painting:

    As artists they’re rot, but as providers they’re oil wells; they gush. Norris said she never wrote a story unless it was fun to do. I understand Ferber whistles at her typewriter. And there was that poor sucker Flaubert rolling around on his floor for three days looking for the right word.
    Dorothy Parker (1893–1967)

    Painting seems to be to the eye what dancing is to the limbs. When that has educated the frame to self-possession, to nimbleness, to grace, the steps of the dancing-master are better forgotten; so painting teaches me the splendor of color and the expression of form, and as I see many pictures and higher genius in the art, I see the boundless opulence of the pencil, the indifferency in which the artist stands free to choose out of the possible forms.
    Ralph Waldo Emerson (1803–1882)