Criticism
Yonge-Dundas Square is controversial in some circles. Criticism ranges from suggestions that the city has missed an opportunity for more green space within the downtown core (or that they have missed an opportunity for what some critics consider more interesting architectural elements) to questions of what the true intent behind the ostensibly public square is. The Toronto Public Space Committee and organizers of Toronto iterations of the Reclaim The Streets phenomenon often point to the square as an example of what they consider a negative trend in urban planning.
The square is surrounded on all sides by gigantic commercial billboards in a redevelopment scheme modelled on New York City's Times Square or London's Piccadilly Circus. Many have pointed to the square as a prime example of the creeping privatization of public space. Those making this point have been bolstered by the fact that the square's board is populated by both local businesses and residents. The Board of Management for the Square is an ABC organization of the City of Toronto. While there are permit fees for commercial events, community groups can use the Square for free under the Square's Community Use Policy. All events are charged back for staffing and equipment use.
Read more about this topic: Yonge-Dundas Square
Famous quotes containing the word criticism:
“It is ... pathetic to observe the complete lack of imagination on the part of certain employers and men and women of the upper-income levels, equally devoid of experience, equally glib with their criticism ... directed against workers, labor leaders, and other villains and personal devils who are the objects of their dart-throwing. Who doesn’t know the wealthy woman who fulminates against the “idle” workers who just won’t get out and hunt jobs?”
—Mary Barnett Gilson (1877–?)
“Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.”
—Leslie Fiedler (b. 1917)
“...I wasn’t at all prepared for the avalanche of criticism that overwhelmed me. You would have thought I had murdered someone, and perhaps I had, but only to give her successor a chance to live. It was a very sad business indeed to be made to feel that my success depended solely, or at least in large part, on a head of hair.”
—Mary Pickford (1893–1979)