Origins
During the period between the late 1960s and the early 1980s, Yale University was the home of a variety of thinkers that were indebted to deconstruction. The group included high-profile literary scholars such as Paul de Man, Geoffrey Hartman, J. Hillis Miller, and Harold Bloom. This group came to be known as the Yale School and was especially influential in literary criticism because de Man, Miller, Hartman and Bloom are all considered to be prominent literary critics. The four critics listed above, along with Derrida, contributed to an influential anthology, Deconstruction and Criticism. However, Harold Bloom's position was always somewhat different from that of the rest of the group, and that he later distanced himself from deconstruction.
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Famous quotes containing the word origins:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?””
—Katharine Hamnett (b. 1948)
“Grown onto every inch of plate, except
Where the hinges let it move, were living things,
Barnacles, mussels, water weeds—and one
Blue bit of polished glass, glued there by time:
The origins of art.”
—Howard Moss (b. 1922)