Turbostar - Description and Technical Details

Description and Technical Details

The Clubman/Turbostar/Electrostar platform is a modular design, which share the same basic design, bodyshell and core structure, and is optimised for speedy manufacture and easy maintenance. It consists of an underframe, which is created by seam-welding a number of aluminium alloy extrusions, upon which bodyside panels are mounted followed by a single piece roof, again made from extruded sections. The car ends (cabs) are made from glass-reinforced plastic and steel, and are huck-bolted onto the main car bodies. Underframe components are collected in ‘rafts’, which are bolted into slots on the underframe extrusion. The mostly aluminium alloy body gives light weight to help acceleration and energy efficiency.

Much of the design is derived from the Networker Turbo Class 165 and Class 166 trains built by BREL. Notable features shared are the aluminium alloy frame and two speed Voith T211r hydrodynamic transmission system. The diesel engine has changed to an MTU 6R 183TD. A cardan shaft links the output of the gearbox to ZF final drives (instead of Gmeinder in the Networkers) on the inner bogie of each vehicle. The engine and transmission are situated under the body; one bogie per car is powered, the other bogie unpowered.

Turbostars have been acquired for use by several train operating companies, each with different specifications. One of the more noticeable differences with later units compared to earlier ones are the larger headlights now specified for safety reasons.

Units are numbered 168 xxx, 170 xxx, 171 xxx, or 172 xxx, where xxx is the serial number of the unit. Individual carriages are numbered 50xxx and 79xxx for driving motor cars, and 56xxx and 54xxx for centre cars.

Read more about this topic:  Turbostar

Famous quotes containing the words description, technical and/or details:

    Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.
    Paul Tillich (1886–1965)

    I rather think the cinema will die. Look at the energy being exerted to revive it—yesterday it was color, today three dimensions. I don’t give it forty years more. Witness the decline of conversation. Only the Irish have remained incomparable conversationalists, maybe because technical progress has passed them by.
    Orson Welles (1915–1984)

    Anyone can see that to write Uncle Tom’s Cabin on the knee in the kitchen, with constant calls to cooking and other details of housework to punctuate the paragraphs, was a more difficult achievement than to write it at leisure in a quiet room.
    Anna Garlin Spencer (1851–1931)