Theory
The theory of the group developed over time and was re-christened ‘systematic ideology’ by Walford in 1976. Its basic premise was that people’s assumptions and identifications (the factors making up their ‘ideology’) are not explicable in terms of material conditions in general and their relationship to the means of production in particular—and are never likely to be. Instead, there are persistent and distinct ideological groups in society, cutting across social classes and forming a series, with the largest groups being most typically guided in their thoughts and actions by a preference for family, authority, familiarity and tradition. Politically, these preferences find predominant expression in the ideas of the large number of so-called ‘non-politicals’ in society, and in Conservatism and then Liberalism (the strength of these preferences gradually weakening through the series).
As the series progresses further, the next, progressively smaller, ideological groups seek to repress these identifications and preferences in favor of dynamism, social change, logical thought and the pursuit of theory as a guide to decision-making, these being expressed politically in Labourism, more overtly still in Communism and then, in an ultimate and extreme form, in Anarchism (or ‘Anarchosocialism’, the purist variety of it allegedly expounded by the Socialist Party of Great Britain). The more an ideology represses the preferences for family, tradition, etc. in favour of social change, dynamism and the pursuit of theory as a guide to action, the fewer in number its adherents are likely to be, with anarchists (or ‘anarcho-socialists’) being the smallest of all. Those seeking radical social change, so the theory contends, will always be hampered and restrained by the enduring preferences of the largest ideological groups.
Read more about this topic: Systematic Ideology
Famous quotes containing the word theory:
“Frankly, these days, without a theory to go with it, I cant see a painting.”
—Tom Wolfe (b. 1931)
“We have our little theory on all human and divine things. Poetry, the workings of genius itself, which, in all times, with one or another meaning, has been called Inspiration, and held to be mysterious and inscrutable, is no longer without its scientific exposition. The building of the lofty rhyme is like any other masonry or bricklaying: we have theories of its rise, height, decline and fallwhich latter, it would seem, is now near, among all people.”
—Thomas Carlyle (17951881)
“It makes no sense to say what the objects of a theory are,
beyond saying how to interpret or reinterpret that theory in another.”
—Willard Van Orman Quine (b. 1908)