Spectacle and Society
Within industrial and post-industrial cultural and state formations, Spectacle implies an organization of appearances that are simultaneously enticing, deceptive, distracting and superficial. Jonathan Crary: 2005
Spectacle can also refer to a society dominated by electronic media, consumption, and surveillance, reducing citizens to spectators by political neutralization. Recently the word is associated with the many ways in which a capitalist structure creates play-like celebrations of its products and leisure time consumption. Guy Debord's philosophical critique and documentary The Society of the Spectacle explores the concept.
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Famous quotes containing the words spectacle and/or society:
“What spectacle can be more edifying or more seasonable, than that of Liberty and Learning, each leaning on the other for their mutual and surest support?”
—James Madison (1751–1836)
“And what is an authentic madman? It is a man who preferred to become mad, in the socially accepted sense of the word, rather than forfeit a certain superior idea of human honor. So society has strangled in its asylums all those it wanted to get rid of or protect itself from, because they refused to become its accomplices in certain great nastinesses. For a madman is also a man whom society did not want to hear and whom it wanted to prevent from uttering certain intolerable truths.”
—Antonin Artaud (1896–1948)