Preserving Scene and Page Numbers
When revisions are made to a shooting script, they must be accomplished in a way that doesn't disturb the pre-existing scene numbers. For example, if a new scene is to be inserted between scenes 10 and 11, the new scene will be numbered 10A. For some productions, it may be necessary to insert a scene between 10 and 10A - this scene is then numbered 10aA (a scene between 10 and 10aA would be numbered 10aaA and so on). Every scene thus retains its own unique number throughout the course of the production. When a scene is omitted, its number is preserved in the script along with the phrase (OMITTED). This effectively retires the number so that it can't be reused by a new scene inserted later at the same location. A scene can also be unomitted, effectively bringing the retired scene out of retirement.
Page numbers in a shooting script are handled in a similar way. When revision pages are distributed, the page numbers must flow sequentially into the pre-existing page numbers. For example, if page 10 is revised such that it now occupies a page and a half, the revisions will be distributed on two pages numbered 10 and 10A. These two pages will replace page 10 in the outstanding drafts. Conversely, if pages 15 and 16 are shortened such that they now occupy a single page, the revisions will be distributed on a single page numbered 15-16.
Read more about this topic: Shooting Script
Famous quotes containing the words preserving, scene, page and/or numbers:
“My wife, who does not like journalizing, said it was leaving myself embowelled to posterity—a good strong figure. But I think it is rather leaving myself embalmed. It is certainly preserving myself.”
—James Boswell (1740–1795)
“No! I am not Prince Hamlet, nor was meant to be:
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince.”
—T.S. (Thomas Stearns)
“Heav’n from all creatures, hides the book of Fate,
All but the page prescrib’d, their present state:”
—Alexander Pope (1688–1744)
“The only phenomenon with which writing has always been concomitant is the creation of cities and empires, that is the integration of large numbers of individuals into a political system, and their grading into castes or classes.... It seems to have favored the exploitation of human beings rather than their enlightenment.”
—Claude Lévi-Strauss (b. 1908)