Rhyming Slang - History

History

Rhyming slang is believed to have originated in the mid-19th century in the East End of London, with several sources suggesting some time in the 1840s.

According to Partridge (1972:12), it dates from around 1840 and arose in the East End of London, however John Camden Hotten in his 1859 Dictionary of Modern Slang, Cant and Vulgar Words states that (English) rhyming slang originated "about twelve or fifteen years ago" (i.e. in the 1840s) with 'chaunters' and 'patterers' in the Seven Dials area of London. (The reference is to travelling salesmen of certain kinds. Chaunters sold sheet music and patterers offered cheap, tawdry goods at fairs and markets up and down the country). Hotten's Dictionary included a "Glossary of the Rhyming Slang", the first known such work. It included later mainstays such as "Frog and toad—the main road" and "Apples and pears—stairs" as well as many that later grew more obscure, e.g. "Battle of the Nile—a tile (vulgar term for a hat)", "Duke of York—take a walk", and "Top of Rome—home".

It remains a matter of speculation whether rhyming slang was a linguistic accident, a game, or a cryptolect developed intentionally to confuse non-locals. If deliberate, it may also have been used to maintain a sense of community. It is possible that it was used in the marketplace to allow traders to talk amongst themselves in order to facilitate collusion, without customers knowing what they were saying. Another suggestion is that it may have been used by criminals (see thieves' cant) to confuse the police.

Read more about this topic:  Rhyming Slang

Famous quotes containing the word history:

    Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.
    Bertolt Brecht (1898–1956)

    When the coherence of the parts of a stone, or even that composition of parts which renders it extended; when these familiar objects, I say, are so inexplicable, and contain circumstances so repugnant and contradictory; with what assurance can we decide concerning the origin of worlds, or trace their history from eternity to eternity?
    David Hume (1711–1776)

    All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!
    Camille Paglia (b. 1947)