Career
After moving to New York City he worked as a waiter, attended the esteemed American Theatre Wing, studied under Uta Hagen and auditioned for plays. Corley and his wife toured in summer stock in Indiana and New Jersey with his young daughter Troy in tow. His first Broadway appearance was in James Baldwin's Blues for Mr. Charlie, a production by the Actor's Studio, where Corley had been accepted as a member. Early in his career he shared the stage with future stars Al Pacino and James Earl Jones in the Off-Broadway play The Peace Creeps. In the 1970s Corley appeared in several Broadway productions including Of Mice and Men with James Earl Jones and Sweet Bird of Youth with Christopher Walken.
Corley's Hollywood career began in 1969 in TV with a small role in N.Y.P.D. and a few television commercials. His first feature film roles were in Gordon Parks' The Super Cops and the comedy Law and Disorder with Carroll O'Connor and Ernest Borgnine. He also appeared in Coming Home and in Oliver Stone's first feature, The Hand, with Michael Caine.
Corley appeared on dozens of TV shows, among the earliest of which were:"The Wackiest Ship in the Army", Get Christie Love and Kojak. Other series on which Corley has guest-starred include Starsky and Hutch, Barnaby Jones, Hill Street Blues, Hart to Hart, St. Elsewhere, Simon & Simon, Murder, She Wrote, Magnum, P.I., Cagney & Lacey, Night Court, Moonlighting, L.A. Law, and Hey Arnold!. Corley also had roles in two mini-series, Roots and "Fresno". He provided the voice of Sheriff McGee in Tom Sawyer (2000).
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Famous quotes containing the word career:
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)