Awarded Films
Officially honored films considered to be "artistically valuable" by the state (* = predicate "special political value", ** = predicate "film of the nation"):
| Year | Title |
|---|---|
| 1933 |
S.A.-Mann Brand (Franz Seitz, Sr.) |
| 1934 |
Der Schimmelreiter i.e. The Rider on the White Horse (Curt Oertel, Hans Deppe) |
| 1935 |
*Hermine und die sieben Aufrechten i.e. Hermine and the Honorable Seven (Frank Wisbar) |
| 1936 |
Das Schönheitsfleckchen i.e. The Beauty Spot (Rolf Hansen) |
| 1937 |
*Der Herrscher i.e. The Sovereign (Veit Harlan) |
| 1938 |
Revolutionshochzeit i.e. Revolution-Marriage (Hans Heinz Zerlett) |
| 1939 |
Es war eine rauschende Ballnacht (Carl Froelich) |
| 1940 |
Der Postmeister i.e. The Postmaster (Gustav Ucicky) |
| 1941 |
Ich klage an i.e. I accuse (Wolfgang Liebeneiner) |
| 1942 |
Wiener Blut i.e. Viennese Blood (Willi Forst) |
| 1943 |
Sophienlund (Heinz Rühmann) |
| 1944 |
Der gebieterische Ruf i.e. The Masterful Calling (Gustav Ucicky) |
| 1945 |
**Kolberg (Veit Harlan) |
Read more about this topic: Nazism And Cinema
Famous quotes containing the words awarded and/or films:
“It has come to this, that the friends of liberty, the friends of the slave, have shuddered when they have understood that his fate was left to the legal tribunals of the country to be decided. Free men have no faith that justice will be awarded in such a case.”
—Henry David Thoreau (18171862)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)