Metropolitan Museum of Art

Metropolitan Museum Of Art

The Metropolitan Museum of Art (colloquially The Met), located in New York City, is the largest art museum in the United States with among the most significant art collections. Its permanent collection contains more than two million works, divided among nineteen curatorial departments. The main building, located on the eastern edge of Central Park along Manhattan's Museum Mile, is by area one of the world's largest art galleries. There is also a much smaller second location at "The Cloisters" in Upper Manhattan that features medieval art.

Represented in the permanent collection are works of art from classical antiquity and Ancient Egypt, paintings and sculptures from nearly all the European masters, and an extensive collection of American and modern art. The Met also maintains extensive holdings of African, Asian, Oceanic, Byzantine, and Islamic art. The museum is also home to encyclopedic collections of musical instruments, costumes and accessories, and antique weapons and armor from around the world. Several notable interiors, ranging from 1st-century Rome through modern American design, are permanently installed in the Met's galleries.

The Metropolitan Museum of Art was founded in 1870 by a group of American citizens. The founders included businessmen and financiers, as well as leading artists and thinkers of the day, who wanted to open a museum to bring art and art education to the American people. It opened on February 20, 1872, and was originally located at 681 Fifth Avenue.

As of 2007, the Met measures almost 1⁄4-mile (400 m) long and occupies more than 2,000,000 square feet (190,000 m2).

Read more about Metropolitan Museum Of Art:  Collections, Early History, Architecture, Selections From The Permanent Collection of Paintings, Governance, Acquisitions and Deaccessioning, Controversies

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    I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.
    Lewis H. Lapham (b. 1935)

    In metropolitan cases, the love of the most single-eyed lover, almost invariably, is nothing more than the ultimate settling of innumerable wandering glances upon some one specific object.
    Herman Melville (1819–1891)

    The Museum is not meant either for the wanderer to see by accident or for the pilgrim to see with awe. It is meant for the mere slave of a routine of self-education to stuff himself with every sort of incongruous intellectual food in one indigestible meal.
    Gilbert Keith Chesterton (1874–1936)

    Art thou not, fatal vision, sensible
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    A dagger of the mind, a false creation
    Proceeding from the heat-oppressed brain?
    William Shakespeare (1564–1616)