Other Work
McLeod's book built upon the themes raised by the AT&T event and develops a serious critique on a range of diverse topics such as hip-hop music and sampling, the patenting of seeds and human genes, folk and blues music, visual collage art, electronic voting, and computer software, among other things.
McLeod has also written music criticism for Rolling Stone, the Village Voice, Spin, and Mojo. He is the coproducer of a 2001 documentary film on the music industry, Money for Nothing: Behind the Business of Pop Music, which he produced for the Media Education Foundation. He is currently working on another documentary on the history of sound collage, digital sampling, and intellectual property law, titled Copyright Criminals: This Is a Sampling Sport."
He participated in the exhibition "Illegal Art: Freedom of Expression in the Corporate Age," which was hosted by the San Francisco Museum of Modern Art's Artist Gallery. In 2005, he helped co-found the Freedom of Expression® Security Consortium, which is dedicated to "Regulating Freedom of Expression in the Marketplace of Ideas". He also is co-editor (with Ted Striphas) of a 2006 special issue of the journal Cultural Studies on "The Politics of Intellectual Properties," which is available for free on the internet.
His book, Freedom of Expression, is available as a free PDF download with a Creative Commons license.
In 2012, one chapter from Freedom of Expression was used as the basis for two essays in the United States Pirate Party's book, No Safe Harbor.
Read more about this topic: Kembrew Mc Leod
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