Illness or Modern Women

Illness or Modern Women (German: Krankheit oder Moderne Frauen) is a play by the Austrian playwright Elfriede Jelinek. It was written in 1984 and published by Prometh Verlag in 1987 with an afterword by Regine Friedrich.

The play deals with Jelinek's usual play on sexual power-politics by focusing attention on a couple and what happens to the dynamics of their relationship when change occurs. The change, in this case, is when Carmilla, a housewife, becomes a vampire through her friend Emily. This only occurs after the birth of her daughter. She then leaves her husband, Dr. Benno Hundekoffer, and establishes a lesbian relationship with Emily. Like the rest of Jelinek's body of work, Krankheit offers a vitriolic and satirical view of the falsity and susceptibility concerning relationships.

For an analysis of the lesbianism and gender play in the piece, see Leanne Dawson's article, ‘The Transe Femme in Elfriede Jelinek’s Krankheit oder Moderne Frauen’, in: Smith-Prei, Carrie, and Politis, Cordula (eds.) Germanistik in Ireland: Sexual-Textual Border Crossings: Lesbian Identity in German Literature, Film and Culture, November 2010.

Works by Elfriede Jelinek
Novels
  • Wonderful, Wonderful Times
  • The Piano Teacher
  • Lust
  • Greed
  • Women as Lovers
Plays
  • What Happened after Nora Left Her Husband; or Pillars of Society
  • Clara S.
  • Burgtheater
  • Desire and Permission To Drive – Pornography
  • Illness or Modern Women
  • A Sport Play
  • Silence
  • Death and the Maiden II
  • The Works
  • Bambiland
  • Die Kontrakte des Kaufmanns. Eine Wirtschaftskomödie

Famous quotes containing the words illness or, illness, modern and/or women:

    All signs of superhuman nature appear in man as illness or insanity.
    Friedrich Nietzsche (1844–1900)

    Neurosis has an absolute genius for malingering. There is no illness which it cannot counterfeit perfectly. If it is capable of deceiving the doctor, how should it fail to deceive the patient?
    Marcel Proust (1871–1922)

    Though collecting quotations could be considered as merely an ironic mimetism—victimless collecting, as it were ... in a world that is well on its way to becoming one vast quarry, the collector becomes someone engaged in a pious work of salvage. The course of modern history having already sapped the traditions and shattered the living wholes in which precious objects once found their place, the collector may now in good conscience go about excavating the choicer, more emblematic fragments.
    Susan Sontag (b. 1933)

    What persuades men and women to mistake each other from time to time for gods or vermin is ideology. One can understand well enough how human beings may struggle and murder for good material reasons—reasons connected, for instance, with their physical survival. It is much harder to grasp how they may come to do so in the name of something as apparently abstract as ideas. Yet ideas are what men and women live by, and will occasionally die for.
    Terry Eagleton (b. 1943)