Play

Play may refer to:

  • Play (activity), enjoyed by animals and humans
  • Play (theatre), structured literary form of theatre

Play may also refer to:

Read more about Play:  In Films, In Games, In Literature and Publications, In Sports, In Television, In Computers and The Internet, In Other Uses

Other articles related to "play":

Cincinnati Bengals - Contributions To NFL Culture - No Huddle Offense
... By quickly setting up for the next play (often within 5–10 seconds after the last play despite being afforded 45 seconds) this hindered the other team's defense ... for substitutions (if offensive substitutions are made) If a player's injury causes the play-clock to stop, the player must sit out at least one play and Charging a time-out to a ...
Arthur Miller - Works - Stage Plays
1949) An Enemy of the People (1950, based on Henrik Ibsen's play An Enemy of the People) The Crucible (1953) A View from the Bridge (1955) A Memory of Two Mondays (1955) After the Fall (1964) Incident at ...
Zsuzsanna Budapest - Play
... The Rise of the Fates A Woman's Passion Play 1976. ...
Friedrich Dürrenmatt - Adaptations
... His story, 'Die Panne' (Traps) was adapted into a Marathi play, Shantata! Court Chalu Aahe (Silence! The Court Is in Session) by Indian playwright, Vijay Tendulkar in 1967, and since then ... His play 'The Visit' has been adapted and Indianised into a play called "Miss.Meena" by Chennai based theatre group called 'perch' ...
Il Capitano - Variants - Scaramouche
... In the play, the historical figure is portrayed as a violent, easily-angered braggart who is sensitive about slurs on his considerable courage, his rural Gascon heritage, or his ... An unnamed soldier in a short play by Miguel de Cervantes called The Vigilant Sentinel matched this character to the letter ... In the play he waits, bespectacled and wearing ragged clothes, desperately trying to frighten away any rival suitors from the house of the girl he wished to marry ...

Famous quotes containing the word play:

    O never give the heart outright,
    For they, for all smooth lips can say,
    Have given their hearts up to the play.
    And who could play it well enough
    If deaf and dumb and blind with love?
    William Butler Yeats (1865–1939)

    I would suggest that barbarism be considered as a permanent and universal human characteristic which becomes more or less pronounced according to the play of circumstances.
    Simone Weil (1910–1943)

    The actor is too prone to exaggerate his powers; he wants to play Hamlet when his appearance is more suitable to King Lear.
    Sarah Bernhardt (1845–1923)