Origins
The earliest known version was published in Samuel Arnold's Juvenile Amusements in 1797, with the lyrics:
Humpty Dumpty sat on a wall,
Humpty Dumpty had a great fall.
Four-score Men and Four-score more,
A manuscript addition to a copy of Mother Goose's Melody published in 1803, which has the modern version with a different last line: "Could not set Humpty Dumpty up again". It was published in 1810 in a version of Gammer Gurton's Garland as:
Humpty Dumpty sate on a wall,
Humpti Dumpti had a great fall;
Threescore men and threescore more,
Cannot place Humpty dumpty as he was before.
In 1842 James Orchard Halliwell published a collected version as;
Humpty Dumpty lay in a beck.
With all his sinews around his neck;
Forty Doctors and forty wrights
Couldn't put Humpty Dumpty to rights!
According to the Oxford English Dictionary the term "humpty dumpty" referred to a drink of brandy boiled with ale in the seventeenth century. The riddle probably exploited, for misdirection, the fact that "humpty dumpty" was also eighteenth-century reduplicative slang for a short and clumsy person. The riddle may depend on the assumption that, whereas a clumsy person falling off a wall might not be irreparably damaged, an egg would be. The rhyme is no longer posed as a riddle, since the answer is now so well known. Similar riddles have been recorded by folklorists in other languages, such as "Boule Boule" in French, "Lille Trille" in Swedish and Norwegian and "Runtzelken-Puntzelken" or "Humpelken-Pumpelken" in different parts of Germany; although none is as widely known as Humpty Dumpty is in English.
Read more about this topic: Humpty Dumpty
Famous quotes containing the word origins:
“Lucretius
Sings his great theory of natural origins and of wise conduct; Plato
smiling carves dreams, bright cells
Of incorruptible wax to hive the Greek honey.”
—Robinson Jeffers (1887–1962)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?””
—Katharine Hamnett (b. 1948)