Some articles on notes, note:
... tasto solo 'single key' used on a continuo part to indicate that the notes should be played without harmony tempo time i.e ... touch on a note slightly longer than usual, but without generally altering the note's value ternary having three parts ... a rapid repetition of the same note, or an alternation between two or more notes (often an octave on the piano) ...
... Ten-peso notes were also issued by Emperor Maximilian in 1866 but, until the 1920s, banknote production lay entirely in the hands of private banks ... In 1920, the Monetary Commission (Comisión Monetaria) issued 50-centavo and 1-peso note whilst the Bank of Mexico issued 2-peso notes ... From 1925, the Bank issued notes for 5, 10, 20, 50 and 100 pesos, with 500 and 1000 pesos following in 1931 ...
... Note however that the specific criteria used in assigning a classification can vary widely from one country to another. 18 ... Adult Other Notes Atp 18 ... N/A ACB G PG M MA15+ R18+ X18+ RC MJ/DEJUS L 18 ... N/A KT/EA KNT/ENA E A ...
... with emphasis acceso ignited, on fire acciaccato broken down, crushed the sounding of the notes of a chord not quite simultaneously, but from bottom to top ... a very fast grace note that is "crushed" against the note that follows and takes up no value in the measure accompagnato accompanied i.e ... sul ponticello in this list) amabile amiable, pleasant amoroso loving anacrusis a note or notes that precede the first full bar a pickup andamento used to refer to a fugue subject of above-average length andante at a ...
... The treasury also issued notes that year for 25 up to 1000 francs ... In 1800, the Bank of France began issuing notes, first in denominations of 500 and 1000 francs ... In the late 1840s, 100- and 200-franc notes were added, while 5-, 20- and 50- francs were added in the 1860s and 70s, although the 200-franc note was discontinued ...
Famous quotes containing the word notes:
“Lap me in soft Lydian airs,
Married to immortal verse,
Such as the meeting soul may pierce
In notes with many a winding bout
Of linked sweetness long drawn out,
With wanton heed and giddy cunning,
The melting voice through mazes running,
Untwisting all the chains that tie
The hidden soul of harmony;”
—John Milton (16081674)
“The soft complaining FLUTE
In dying Notes discovers
The Woes of hopeless Lovers,
Whose Dirge is whisperd by the warbling LUTE.”
—John Dryden (16311700)
“The night is itself sleep
And what goes on in it, the naming of the wind,
Our notes to each other, always repeated, always the same.”
—John Ashbery (b. 1927)