Franklin Pierce Adams - Satires

Satires

  • No Sirree!, staged for one night only in April 1922, was a take-off of a then-popular European touring revue called La Chauve-Souris directed by Nikita Balieff.
Robert Benchley is often credited as the first person to suggest the parody of Balieff's group.
No Sirree! had its genesis at the studio of Neysa McMein, which served as something of a salon for Round Tablers away from the Algonquin. Acts included: "Opening Chorus" featuring Woollcott, Toohey, Kaufman, Connelly, Adams, and Benchley with violinist Jascha Heifetz providing offstage, off-key accompaniment; "He Who Gets Flapped," a musical number featuring the song "The Everlastin' Ingenue Blues" written by Dorothy Parker and performed by Robert Sherwood accompanied by "chorus girls" including Tallulah Bankhead, Helen Hayes, Ruth Gillmore, Lenore Ulric, and Mary Brandon; "Zowie, or the Curse of an Akins Heart"; "The Greasy Hag, an O'Neill Play in One Act" with Kaufman, Connelly and Woollcott; and "Mr. Whim Passes By - An A. A. Milne Play."
  • FPA often included parodies in his column. His satire of Edgar Allan Poe's poem "Annabel Lee" was later collected in his book Something Else Again (1910):
Soul Bride Oddly Dead in Queer Death Pact
High-Born Kinsman Abducts Girl from Poet-Lover—Flu Said to Be Cause of Death—Grand Jury to Probe
Annabel L. Poe of 1834½ 3rd Ave., the beautiful young fiancee of Edmund Allyn Poe, a magazine writer from the South, was found dead early this morning on the beach off E. 8th Street. Poe seemed prostrated and, questioned by the police, said that one of her aristocratic relatives had taken her to the "seashore," but that the cold winds had given her "flu," from which she never "rallied." Detectives at work on the case believe, they say, that there was a suicide compact between the Poes and that Poe also intended to do away with himself. He refused to leave the spot where the woman's body had been found.

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Famous quotes containing the word satires:

    All the satires of the stage should be viewed without discomfort. They are public mirrors, where we are never to admit that we see ourselves; one admits to a fault when one is scandalized by its censure.
    Molière [Jean Baptiste Poquelin] (1622–1673)