Elizabeth Peyton - Work

Work

The focus of Peyton’s work has been the small-scale portrait. Her work is most often executed in oil paint, applied with washy glazes that are sometimes allowed or encouraged to drip, but also in watercolour, pencil, and etching. Her paintings are characterized by elongated, slender figures with androgynous features. Sexually ambiguous, feminine qualities are regularly emphasised. Her work at times resembles fashion illustration. The artist, interviewed in the catalogue for the exhibition The Painter of Modern Life at the Hayward Gallery in London in 2007, has indeed acknowledged the importance of photography as an inspiration source for her art. She thus usually works from photographs. Since 1998, when Parkett magazine commissioned her to create a lithograph, Peyton has created a broad range of prints, including monotypes, lithographs, and woodcuts. Experimenting with different techniques, she also uses a variety of diverse and handmade papers as well as various colored and monochromatic inks. Her portrayed subjects populate both her prints and paintings.

The idealization and stylization of known celebrities has led some critics to characterize her work as being in the tradition of Andy Warhol. The artist has cited influence by David Hockney. Her celebrity subjects have included David Bowie, Noel and Liam Gallagher of the rock band Oasis, Julian Casablancas of The Strokes, Jarvis Cocker of Pulp, Chloë Sevigny, Princes William and Harry of The House of Windsor, Abraham Lincoln, Graham Coxon, Keith Richards, John Lennon, Marc Jacobs, Kurt Cobain, Kanye West, Eminem, Ludwig II of Bavaria, Peter Doherty, Carl Barât and members of The Kennedy Family. A painting of by Elizabeth Peyton appears on the 2010 compilation album The Best of Suede. In her paintings, Peyton hardly ever depicts these often young artists and musicians standing, and she never visually associates them with an activity like making art or music; instead, they are portrayed sleeping, reclining, or sitting. More recently, however, Peyton has turned to the genre of the still life to explore its contemporary relevance.

In 2009, Peyton collaborated with Matthew Barney on Blood of Two, an art project on the Greek island of Hydra. She later worked with Jonathan Horowitz on a series of monotypes which develop upon the concepts of plants and flowers as motifs of love and death, resulting in a series of paintings, prints, drawings, sculptures and photographs, as well as a collaborative artists book.