Music
Besides having been an accomplished public intellectual, the Renaissance Man Edward Saïd was an accomplished pianist who also worked as the music critic for The Nation magazine; as such, he wrote three books about music: Musical Elaborations (1991); Parallels and Paradoxes: Explorations in Music and Society (2002), co-authored with Daniel Barenboim; and On Late Style: Music and Literature Against the Grain (2006). In Music at the Limits (2007), Saïd said that he found reflections of his ideas about literature and history in music, especially in bold compositions and strong performances. The composer Mohammed Fairouz said that he has been deeply influenced by the writings of Edward Saïd; compositionally, he produced the First Symphony, which alludes to the essay “Homage to a Belly-Dancer'”, about Tahia Carioca; and a piano sonata titled Reflections on Exile, which refers to the eponymous collection of essays.
In 1999, Saïd and Daniel Barenboim co-founded the West-Eastern Divan Orchestra, which is composed of young Israeli, Palestinian, and Arab musicians. They also established The Barenboim–Said Foundation in Seville, for which a government-funded foundation was constituted, in 2004, to develop education-through-music projects. Besides managing the West–Eastern Divan Orchestra, the Barenboim–Said Foundation assists with the administration of the Academy of Orchestral Studies, the Musical Education in Palestine project, and the Early Childhood Musical Education Project, in Seville.
Read more about this topic: Edward Said
Famous quotes containing the word music:
“I believe that water is the only drink for a wise man: wine is not so noble a liquor; and think of dashing the hopes of a morning with a cup of warm coffee, or of an evening with a dish of tea! Ah, how low I fall when I am tempted by them! Even music may be intoxicating. Such apparently slight causes destroyed Greece and Rome, and will destroy England and America.”
—Henry David Thoreau (1817–1862)
“Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid.”
—Frank Zappa (1940–1993)
“I’ve come close to matching the feeling of that night in 1944 in music, when I first heard Diz and Bird, but I’ve never got there.... I’m always looking for it, listening and feeling for it, though, trying to always feel it in and through the music I play every day.”
—Miles Davis (1926–1991)