Criticism
One issue with duck typing is that it forces the programmer to have a much wider understanding of the code he or she is working with at any given time. In a strongly and statically typed language that uses type hierarchies and parameter type checking, it's much harder to supply an unexpected object type to a class. For instance, in Python, you could easily create a class called Wine, which expects a class implementing the "press" attribute as an ingredient. However, a class called Trousers might also implement the press method. With Duck Typing, in order to prevent strange, hard-to-detect errors, the developer needs to be aware of each potential use of the method "press", even when it's conceptually unrelated to what he or she is working on.
In essence, the problem is that, "if it walks like a duck and quacks like a duck", it could be a dragon doing a duck impersonation. You may not always want to let dragons into a pond, even if they can impersonate a duck.
Proponents of duck typing, such as Guido van Rossum, argue that the issue is handled by testing, and the necessary knowledge of the codebase required to maintain it.
Criticisms around duck typing tend to be special cases of broader points of contention regarding dynamically typed versus statically typed programming language semantics.
Read more about this topic: Duck Typing
Famous quotes containing the word criticism:
“I consider criticism merely a preliminary excitement, a statement of things a writer has to clear up in his own head sometime or other, probably antecedent to writing; of no value unless it come to fruit in the created work later.”
—Ezra Pound (1885–1972)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)
“To be just, that is to say, to justify its existence, criticism should be partial, passionate and political, that is to say, written from an exclusive point of view, but a point of view that opens up the widest horizons.”
—Charles Baudelaire (1821–1867)