Dimitri Illarionov - Works

Works

Illarionov's repertoire is broad and versatile. It ranges across various periods and styles: music of the Renaissance and Baroque (Luis Milan, Alonso Mudarra, John Dowland, J. S. Bach), original music for guitar from the 19th and early 20th centuries (Fernando Sor, Mauro Giuliani, Francisco Tárrega), and music of the 20th and 21st centuries (Frank Martin, Alexandre Tansman, Manuel Ponce, Joaquín Rodrigo, Joaquín Turina, Agustín Barrios, Mario Castelnuovo-Tedesco, William Walton, Sérgio Assad, Roland Dyens, Dusan Bogdanovic, Angelo Gilardino, the unique cycle 24 Preludes and Fugues for Solo Guitar by Igor Rekhin), as well as compositions for guitar with orchestra and chamber music.

Dimitri Illarionov has recorded the CD Premieres with the Moscow Chamber "The Seasons" Orchestra (conductor – Vladislav Bulakhov) for Les Éditions Doberman-Yppan; two solo CDs: by Naxos Records (Laureate Series) and the CD East Side Story (Daminus Records) with music written by modern Eastern European composers. Illarionov's Classical Duo CD (Delos Records) with Russian cellist Boris Andrianov entered the pre-short-list of the 2004 Grammy Awards.

Read more about this topic:  Dimitri Illarionov

Famous quotes containing the word works:

    “When life has been well spent, age is a loss of what it can well spare,—muscular strength, organic instincts, gross bulk, and works that belong to these. But the central wisdom, which was old in infancy, is young in fourscore years, and dropping off obstructions, leaves in happy subjects the mind purified and wise.”
    —Ralph Waldo Emerson (1803–1882)

    “Men seem anxious to accomplish an orderly retreat through the centuries, earnestly rebuilding the works behind them, as they are battered down by the encroachments of time; but while they loiter, they and their works both fall prey to the arch enemy.”
    —Henry David Thoreau (1817–1862)

    “That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
    —Lydia M. Child (1802–1880)