Career
Ossman's roles during his Firesign years include George Leroy ("Peorgie") Tirebiter on Don't Crush That Dwarf, Hand Me the Pliers and Catherwood in the "Nick Danger" series.
In 1973, he recorded the solo album How Time Flys. During the 1980s, he left the Firesign Theatre, primarily to produce programs for National Public Radio.
During the 1990s Ossman and his wife Judith Walcutt formed Otherworld Media, through which they produced audio theatre for children, as well as a series of major star-studded audio theatre broadcasts for NPR, including We Hold These Truths (1991), Empire Of The Air, War Of The Worlds 50th Anniversary Production, Raymond Chandler's Goldfish, and the 100th Anniversary audio theatre adaptation of The Wonderful Wizard of Oz.
His latest Otherworld Media Productions include A Thousand Clowns, Through the Looking Glass, and A Taffetas Christmas. These performances are held at Whidbey Children's Theater on Whidbey Island, a local theatre where children can come to do plays and workshops.
Otherworld Media has also taken on the task of adapting and producing half a dozen screenplays in live radio play format in 2007 and 2008 at the International Mystery Writers Festival in Owensboro, Kentucky. Ossman personally wrote the adaptation and directed the 2007 Angie Award winner Albatross (original screenplay written by Lance Rucker and Timothy Perrin).
Ossman has written a mystery novel, The Ronald Reagan Murder Case: A George Tirebiter Mystery (published by BearManor Media, 2007). In 2008, Bear Manor Media published his memoir, Dr. Firesign's Follies: Radio, Comedy, Mystery, History.
Read more about this topic: David Ossman
Famous quotes containing the word career:
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do soconcomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (182595)