Comic science fiction is a sub-genre of science fiction that exploits the genre's conventions for comic effect. Comic science fiction often mocks or satirizes standard SF conventions like alien invasion of Earth, interstellar travel, or futuristic technology.
An early example was the Pete Manx series by Henry Kuttner and Arthur K. Barnes (sometimes writing together and sometimes separately, under the house pen-name of Kelvin Kent). Published in Thrilling Wonder Stories in the late 1930s and early 1940s, the series featured a time-traveling carnival barker who uses his con-man abilities to get out of trouble. Two later series cemented Kuttner's reputation as one of the most popular early writers of comic science fiction: the Gallegher series (about a drunken inventor and his narcissistic robot) and the Hogben series (about a family of mutant hillbillies). The former appeared in Astounding Science Fiction in 1943 and 1948 and was collected in hardcover as Robots Have No Tails (Gnome, 1952), and the latter appeared in Thrilling Wonder Stories in the late 1940s.
Famous quotes containing the words science fiction, comic, science and/or fiction:
“I have been a soreheaded occupant of a file drawer labeled “Science Fiction” ... and I would like out, particularly since so many serious critics regularly mistake the drawer for a urinal.”
—Kurt Vonnegut, Jr. (b. 1922)
“The deeply thoughtful and human consciousness of a Macbeth is not found in comedy. Comic action tends to be as Bergson described it, physical or purblind, instead of highly conscious. Similarly, the great comic actor specializes in the presentation of mental obtuseness.”
—William G. McCollom (b. 1911)
“We would be a lot safer if the Government would take its money out of science and put it into astrology and the reading of palms.... Only in superstition is there hope. If you want to become a friend of civilization, then become an enemy of the truth and a fanatic for harmless balderdash.”
—Kurt Vonnegut, Jr. (b. 1922)
“The society would permit no books of fiction in its collection because the town fathers believed that fiction ‘worketh abomination and maketh a lie.’”
—For the State of Rhode Island, U.S. public relief program (1935-1943)