Greek and Roman Temples
In Ancient Greek and Roman temples the cella is a room at the centre of the building, usually containing a cult image or statue representing the particular deity venerated in the temple. In addition the cella may contain a table or plinth to receive votive offerings such as votive statues, precious and semi-precious stones, helmets, spear and arrow heads, swords, and war trophies. The accumulated offerings made Greek and Roman temples virtual treasuries, and many of them were indeed used as treasuries during antiquity.
The cella is typically a simple, windowless, rectangular room with a door or open entrance at the front behind a colonnaded portico facade. In larger temples, the cella was typically divided by two colonnades into a central nave flanked by two aisles. A cella may also contain an adyton, an inner area restricted to access by the priests—in religions that had a consecrated priesthood—or by the temple guard.
With very few exceptions Greek buildings were of a peripteral design that placed the cella in the center of the plan, such as the Parthenon and the Temple of Apollo at Paestum. The Romans favoured pseudoperipteral buildings with a portico offsetting the cella to the rear. The pseudoperipteral plan uses engaged columns embedded along the side and rear walls of the cella. The Temple of Venus and Roma built by Hadrian in Rome had two cellae arranged back-to-back enclosed by a single outer peristyle.
Read more about this topic: Cella
Famous quotes containing the words greek and roman, greek, roman and/or temples:
“Here Greek and Roman find themselves
Alive along these crowded shelves;
And Shakespeare treads again his stage,
And Chaucer paints anew his age.”
—John Greenleaf Whittier (18071892)
“Can it be, that the Greek grammarians invented their dual number for the particular benefit of twins?”
—Herman Melville (18191891)
“My first childish doubt as to whether God could really be a good Protestant was suggested by my observation of the deplorable fact that the best voices available for combination with my mothers in the works of the great composers had been unaccountably vouchsafed to Roman Catholics.”
—George Bernard Shaw (18561950)
“Goddesses never die. They slip in and out of the worlds cities, in and out of our dreams, century after century, answering to different names, dressed differently, perhaps even disguised, perhaps idle and unemployed, their official altars abandoned, their temples feared or simply forgotten.”
—Phyllis Chesler (b. 1941)