Productions
Brighton Beach Memoirs premiered on Broadway at the Alvin Theatreon March 27, 1983 and transferred to the 46th Street Theatre, where it closed on May 11, 1986 after 1,299 performances and 7 previews. Directed by Gene Saks, the cast featured Matthew Broderick (Eugene Jerome), Blythe Danner (Kate Jerome), Peter Michael Goetz (Jack Jerome), Mandy Ingber (Laurie Morton), Željko Ivanek (Stanley Jerome), Jodi Thelen (Nora Morton) and Joyce Van Patten (Blanche Morton). Scenic design was by David Mitchell, Costumes were by Patricia Zipprodt and lighting was by Tharon Musser.
- Broadway revival
A revival opened on Broadway on October 25, 2009 at the Nederlander Theatre. Directed by David Cromer, the cast featured Laurie Metcalf as Kate Jerome and Dennis Boutsikaris as Jack Jerome, with Santino Fontana as Stanley Jerome, Jessica Hecht as Blanche, Gracie Bea Lawrence as Laurie, Noah Robbins as Eugene and Alexandra Socha as Nora.
The production was planned to run in repertory with Broadway Bound, which was to feature the same cast with the exception of Josh Grisetti, who was to assume the role of the "older" Eugene (played by Noah Robbins in the earlier play) and Allan Miller in the role of Ben. The two plays were produced and promoted as "The Neil Simon Plays". Despite generally positive reviews from New York critics, Brighton Beach Memoirs closed on November 1, 2009 after 9 performances and 25 previews due to weak ticket sales. Subsequently, the planned production of Broadway Bound was cancelled.
The New York Times, in analyzing the revival's failure, wrote that "What went wrong with 'Brighton Beach Memoirs' is a case study in success and failure on Broadway today. There were no big stars like Jude Law in the current commercial hit 'Hamlet,' there was no marketing campaign that framed the Simon play as a can’t-miss theatrical event, and there was no wow factor that brought the period piece to life, like the breakneck pacing of the popular farce 'Boeing-Boeing' last year. But the failure also reflects America’s evolving sense of humor and taste... It actually received good reviews, but the play was shuttered because people, for whatever reason, did not want to see the Simon show about a Depression-era family laughing through the tears. The show cost $3 million to produce but never grossed more than $125,000 a week in ticket sales during preview performances — or 15 percent of the maximum possible — an amount that did not even cover running costs."
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“If in many of my productions terror has been the thesis, I maintain that terror is not of Germany, but of the soul.”
—Edgar Allan Poe (1809–1849)
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“Most new things are not good, and die an early death; but those which push themselves forward and by slow degrees force themselves on the attention of mankind are the unconscious productions of human wisdom, and must have honest consideration, and must not be made the subject of unreasoning prejudice.”
—Thomas Brackett Reed (1839–1902)