Categories
There are a number of different categories that board games can be broken up into, although considerable overlap exists, and a game may belong in several categories. The following is a list of some of the most common:
- Abstract strategy games like chess, Tafl games, checkers, go, Reversi, or modern games such as Abalone or Stratego
- Dexterity games like Tumblin' Dice and Pitch Car
- German-style board games, or Eurogames, like The Settlers of Catan, Carson City or Puerto Rico
- Educational games like Arthur Saves the Planet, Cleopatra and the Society of Architects, and Shakespeare: The Bard Game
- Family games like Roll Through the Ages, Birds on a Wire, or For Sale
- Historical simulation games like Through the Ages and Railways of the World
- Large multiplayer games like Take It Easy and Swat (2010)
- Musical games like Spontuneous
- Race games like parchisi, backgammon or Worm Up
- Roll-and-move games, like Monopoly or Life
- Share-buying games (in which players buy stakes in each other's positions; these are typically longer economic-management games)
- Spiritual development games that have no winners or losers, like Transformation Game or Psyche's Key
- Two-player only games like En Garde and Dos de Mayo
- Trivia games, like Trivial Pursuit
- Train games
- Wargames, ranging from Risk and Diplomacy to Attack or Conquest of the Empire
- Word games, like Scrabble, Boggle, or What's My Word? (2010)
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Famous quotes containing the word categories:
“Kitsch ... is one of the major categories of the modern object. Knick-knacks, rustic odds-and-ends, souvenirs, lampshades, and African masks: the kitsch-object is collectively this whole plethora of “trashy,” sham or faked objects, this whole museum of junk which proliferates everywhere.... Kitsch is the equivalent to the “cliché” in discourse.”
—Jean Baudrillard (b. 1929)
“all the categories which we employ to describe conscious mental acts, such as ideas, purposes, resolutions, and so on, can be applied to ... these latent states.”
—Sigmund Freud (1856–1939)
“Of course I’m a black writer.... I’m not just a black writer, but categories like black writer, woman writer and Latin American writer aren’t marginal anymore. We have to acknowledge that the thing we call “literature” is more pluralistic now, just as society ought to be. The melting pot never worked. We ought to be able to accept on equal terms everybody from the Hassidim to Walter Lippmann, from the Rastafarians to Ralph Bunche.”
—Toni Morrison (b. 1931)