Blas Galindo - Works

Works

Galindo's compositions number over 150, and include works in a variety of styles and ensemble forces.

Orchestral
  • 1940 Sones de mariachi
  • 1951 Suite for the ballet "La manda"
  • 1952 Scherzo mexicano for string orchestra
  • 1957 Segunda Sinfonía
  • Concierto for flute and orchestra
  • Concierto, for violin and orchestra
  • Concierto, for cello and orchestra
  • Concierto Nº 2, for piano and orchestra
  • Homenaje a Cervantes, suite
  • Letanía erótica
  • Nocturno, for orchestra
  • Obertura mexicana no. 2, for piano and orchestra
  • Poema de Neruda, for string orchestra
  • Sinfonía breve, voor strings
  • Concierto, for flute and band
  • Concierto, for guitar and band
  • 1951 La Manda, ballet
Vocal works
  • 1939 Jicarita
  • 1939 Mi querer pasaba el río
  • 1939 Paloma blanca
  • 1946 Cantata a la Patria, cantate based on the poem Suave Patria by Ramón López Velarde, for mixed choir and orchestra
  • 1948 Me Gusta Cuando Callas, after Pablo Neruda
  • 1957 Cantata Homenaje a Benito Juárez
  • Dos Corazones for mixed choir
  • Arrullo, for soloist and orchestra
  • Canciones de Jalisco
  • Madre mía cuando muera, for soprano and orchestra
  • Segundo himno de Jalisco
Chamber music
  • 1947 Sonata, for clarinet and piano
  • 1948 Sonata, for cello and piano
  • Piano Quintet
  • Suite, for violin and piano
Solo piano
  • 1935 La lagartija
  • 1936 Suite No. 2
    1. Impresión
    2. Caricatura de vals
    3. Jalisciense
  • 1937 Sombra, Preludio
  • 1937 Preludio
  • 1938 Llano alegre
  • 1939 Danzarina, waltz
  • 1941 Fuga en do
  • 1944 Allegro para una sonata
  • 1944 Preludio
  • 1945 Cinco preludios
  • 1945 Y ella estaba triste, Preludio
  • 1952 Siete piezas
  • 1964-1973 Piezas infantiles
  • 1976 Sonata
  • 1987 Preludio No. VI
Guitar
  • Suplica de Amor
Film scores
  • 1955 Raices

Read more about this topic:  Blas Galindo

Famous quotes containing the word works:

    “In the works of man, everything is as poor as its author; vision is confined, means are limited, scope is restricted, movements are labored, and results are humdrum.”
    —Joseph De Maistre (1753–1821)

    “The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
    —Freya Stark (b. 1893–1993)